More Loki in Thor: The Dark World
Jeremy Piven Meeting Tom Cruise at Edge of Tomorrow
Paranoia, Review
When not even the promise of Harrison Ford and Gary Oldman as bitter enemies is enough to ratchet up the tension in a movie called Paranoia, you’ve got a problem. Despite the promise of watching these two actors wage technological war on each other, we’re instead handed a flat story with a charmless (and soulless) protagonist, and conflicting messages about ambition and privacy.
Adam Cassidy (Liam Hemsworth), an ambitious young man working for a hot technology company, has big dreams of rising above his working-class roots and making waves in the business. Unfortunately, his ambition leaves him vulnerable to blackmail at the hands of his boss, Nicolas Wyatt (Gary Oldman), who recruits him into a corporate espionage scheme intended to steal tech from his rival, Jock Goddard (Harrison Ford). Along the way, Adam’s loyalties are tested, and he finds himself caught between the man he fears, the man he respects, and the FBI. It's the age old story of a man who has to choose between the life he has and the life he thinks he wants.
Despite the faintly populist tones of Hemsworth’s opening narration, in which he laments the death of the American dream and the rise of greedy executives who earn their bonuses off the backs of decent, hard-working folks (like his dear old Dad), Paranoiacomes across like a love letter to the surveillance state, and the increasingly slick and sexy technology that makes it possible. Set in a post-gentrification New York City that looks an awful lot like Philadelphia, velvet-rope nightclubs and financial district sterility are all seen as more desirable than quaint brownstones and dive bars. Meanwhile, the alleged romance between Adam and the intelligent, unattainable Emma (Amber Heard) feels about as genuine as an Instagram filter. Even the "Brooklyn" Adam returns to at film's end (we are to know it's Brooklyn because, y'know, there's rock music playing in the background), is one of gleaming class and chrome office buildings.
Director Robert Luketic does his best to establish tension in the film’s middle acts, but for the most part, entire sections of the film just feel like an extended smartphone commercial. For a film entitled Paranoia, there’s remarkably little of it on display. After all, it’s not paranoia if people are really after you, and Adam’s suspicions are not only proven to him and the viewer (repeatedly), but the FBI is wise to the entire scheme, warning Adam to get out before it’s too late.
Adam’s father is there to witness this, and needs no further convincing. In fact, there’s never a moment where this young man is left to hang out to dry by his family, friends or the proper authorities (although he has no qualms about abandoning and betraying them). Later in the film, when Adam realizes his every move is being watched by hidden cameras in his multi-million dollar apartment, he trashes the place looking for the bugs. Never has the angry and desperate destruction of an apartment appeared less rock n’ roll.
Paranoiadoes have its moments, however few. Gary Oldman’s villainous Nicolas Wyatt is a study in gleeful amorality. At times a disinterested executive, at others, a venomous corporate supervillain, Oldman has what fun with the role that he can. Julian McMahon (remember him as Doctor Doom from the Fantastic Four flicks? Anyone?) plays oily heavy, Miles Meachum, the guy who does the dirty work for Mr. Wyatt. Meachum lurks on the outskirts of scenes like Wile E. Coyote setting a trap. He’s more amusing than menacing, though, even with a silenced pistol in hand. Harrison Ford is always a welcome presence, and the fatherly, world-weary facade that his Jock Goddard projects is familiar enough, although his more hard-edged moments later in the film fall flat.
Which brings me to another major problem. There are no characters to root for in this film. All are either reprehensible, craven, or (at best) pitiable creatures. This can be excused when you’re dealing with a collection of charming, witty rogues, but these are mannequins. Adam and friends’ one act of “rebellion” involves using a corporate account to run up a $16,000 tab at a posh Manhattan nightclub. Even Gary Oldman’s Wyatt eagerly points out (in the preface to his blackmailing of Adam into a life of corporate espionage) that he could have used that money to pay his father’s hospital bill. There are four females in the entire film: one disappears entirely within fifteen minutes while the other becomes the comic-relief bartender girlfriend of Kevin (Lucas Till). Embeth Davidtz phones it in as Judith Bolton, Mr. Wyatt’s eeeeee-vil personal assistant, and Amber Heard’s character exists solely so that Adam can lift her fingerprints and swipe her phone in order to gain access to the super-secret smartphone that he must steal on behalf of Wyatt. Hilariously, the phone is lit and displayed like the idol in the opening of Raiders of the Lost Ark.
What are the messages of Paranoia? “Greed is good?” Cooperate with the federal government and they’ll cut you a deal? Trust the FBI? If you’re an ambitious woman working for a crooked, high-powered asshole, you may be fortunate enough to find another job working for another crooked (albeit significantly more attractive) high-powered asshole? There is no mention of using technology to make the world a better place or to ease the suffering of others. At best, it may have a military application. But for the sick? The poor? Sorry, folks. You’re out of luck.
However, with all of Paranoia’s shortcomings, perhaps the biggest comes in a rather unexpected way. Richard Dreyfuss, who plays Adam’s working-class, emphysema-stricken father, is a blue collar dude through and through. To illustrate this, the filmmakers never depict him without a well worn baseball cap. The problem is that in some scenes it’s a Mets hat...in others, it’s an equally weather-beaten Yankees cap. This is either an unforgivable continuity error, or an uncharacteristically subtle way for the filmmakers to indicate that the lovable old scamp is more than he appears. After all, as any New Yorker can attest, people who claim to root for BOTH New York baseball teams simply aren’t to be trusted. Perhaps there’s a deeper message here after all, and maybe Paranoiadeserves another look...Nah.
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Lee Daniels' The Butler, Review
Jobs, Review
50 Movie Plot Holes and Paradoxes
The suspension of disbelief is crucial to a film's success. Without it, we’d just spend the entire time going, "That couldn’t happen!" which would make watching movies one of the more irritating pastimes we could do. However, sometimes the internal logic of films stretches credulity so much, you can’t but sit up and take notice.Here are 50 of the finest examples where things don’t quite make total sense. Some you definitely know, some you might not, and some aren’t the giant plot holes they’re made out to be. We approach all of this from a position of love: we might be being nit-picky, but we do enjoy most of the movies here. So read on, and add your own in the comments.PLEASE NOTE: There are spoilers here. Check the name of the film, and if you haven't seen it, don't ready the entry!
1. Lord Of The Rings: Eagles
The following is a common complaint in Lord Of The Rings: "Hey Gandalf, here’s a thought – why don’t you just get your giant eagle mates to fly you into Mordor and drop Frodo/the ring-bearer off at Mount Doom?"Yes, it does seem obvious. Yes, it would have solved their problem of getting into Mordor quite easily. But here are a few issues with this. First off, you think Sauron might notice giant eagles flying into his domain, so you still need to create a distraction, like Aragorn at the gates. Secondly, the Eagles are doing their own thing. It’s not their war, they're just helping out their mate Gandalf.And as an internet commenter pointed out elsewhere (I can’t remember where though, sorry), there’s a big difference between asking your mate for a lift into town in his car, and asking him to take you to Spain or the fantasy equivalent…
2. Back To The Future Part III: The extra DeLorean
So, this is most likely one of the first plot holes many of you would ever have noticed. Marty arrives back in 1885 in a DeLorean. Sadly, the time machine springs a leak and loses all its fuel – gasoline proving hard to obtain in the 19th Century. Cue he and Doc creating an ingenious and ridiculous plan to power the DeLorean via a steam train, and various rail hijinks en-route. But: why didn’t they just dig up the fully-fuelled DeLorean the Doc had buried in the mineshaft awaiting his 1955 counterpart? Timey-wimey, wibbly wobbly stuff, I guess. More BTTF paradoxes can be found here.
3. The Shawshank Redemption: The poster
Who put the poster back in place after the daring escape in The Shawshank Redemption? Andy spent months on that tunnel, and covered his tracks thanks to a poster. The hole is only discovered through an unlucky throw of a chess piece. But how did he attach it in place from inside the tunnel? How?Well, it’s pretty simple really – he probably only stuck it to the wall via the top and let it fall down in place naturally. There you go, not just showing you plot holes, but solving them, too!
4. The Terminator: Why doesn't Skynet just send more Terminators back?
You'd think Skynet would want to make sure the job was done. But no, it just very occasionally sends one solitary Terminator back in time and then assumes it’s done completed its mission - a slightly risky strategy for a supposedly infallible sentient machine one might think. It’s not as if there’s a shortage of Terminators lying around. However, my favourite answer to this was suggested by critic Devin Faraci, and neatly ties in Terminator Salvation into the franchise in a way that makes it suck a hell of a lot less. Skynet is damaged at the end of Salvation, almost beaten in fact. It’s been driven to extreme action – using the last of its power to send one Terminator back in time in a desperate attempt to destroy the future, and thwart its own destruction. I really wish they’d put this on-screen.
5. The Avengers: Why don’t they bother keeping an eye on Bruce Banner?
So, SHIELD takes the trouble of taking their top agent, Natalia, off a vitally important mission (right in the middle of a dangerous situation too, and violating what appears to be Russian sovereignty with the threat of blowing up the building with missiles) and sending her to India with a full squad of heavily armed soldiers in order to ask Bruce Banner to come in.They’ve also spent millions researching and actually building a cage for his alter-ego. They know exactly what Hulk can do. Yet once they’ve got him onboard, the top-secret, state of the art HeliCarrier, they let Bruce casually wander around with no restraints, and no one watching him – free to be shocked by Tony Stark into potentially Hulking out. Guess they thought Banner was a really cool guy once they met him in person.
6. Star Trek: What was Nero doing for 25 years?
Nero arrives in the Star Trek past all-guns blazing. It’s one of the finest sci-fi action scenes ever committed to film, and is responsible for much of the goodwill the 2009 Star Trek garnered. Nero has the technology and the motive to wreak havoc across the galaxy. So what does he do? Apparently sits around in his mining ship for 25 years waiting for Spock to arrive. Uh, ok…Now actually, there’s a deleted scene which explains this plot hole – Nero’s ship is damaged from Kirk Senior's heroic sacrifice, and he's therefore unable to prevent his capture by Klingons. So he then spends a good couple of decades in a prison. However, with it out of the film, it does make you wonder. I’m choosing to ignore some of the other plot holes in Star Trek – it’s like shooting fish in a barrel.
7. Ocean's 11: fake money
The ultimate robbery has been committed – Ocean has successfully tricked Benedict into thinking the entire vault has been rigged with explosives ready to detonate unless he gives them all the dosh. Benedict agrees, but not without calling in a SWAT team to secure the vault and getting his men to intercept the van with his money in. Which they duly do, only to find out that the money has in fact been switched for hundreds of flyers of a lovely Las Vegas night lady.Meanwhile, the SWAT team are actually Ocean’s crew – who then sneak the real money out. The fake money is the key to it all here, but stop and think for a moment – just how did they switch it in the first place? There’s literally no time for it to happen – and no way it could. Of the three thieves who get into the vault, Yen smuggles his way inside in a tiny cart, while Ocean and Linus rappel themselves down a shaft laced with lasers. Even Soderbergh admitted on the commentary he was stumped on how it was done, so you’re in good company.
8. Iron Man 2: The Whiplash master plan
In a stodgy Iron Man 2, Whiplash’s attack on the Monaco Grand Prix is a real highlight – and a heart-pounding action scene. Posing as a pit crew member, Whiplash gets onto the track and directly attacks Tony Stark, who just happens to be driving a racing car, after impulsively deciding he wanted to and chucking his driver out (probably someone who would have won the race like Vettel). So how did Whiplash know he was going to do that?Tony Stark didn’t even know he was going to do that until moments before. Is it another case of a villain magically being able to see into the future and being able to plan for everything? (see Skyfall entry later on). Well, actually, I think not. Whiplash knew Tony was likely to be at the Grand Prix – it’s a lavish event after all. And he knew if he caused some shit, Tony would respond – leading to the same fight on the track. He just got lucky with Tony deciding to drive.
9. Edward Scissorhands: Ice blocks
It’s a truly beautiful moment in one of Tim Burton’s most magical and twisted fairy tales – Edward Scissorhands creates artistic wonders in the attic of his home. Just one small detail though, where did he get the ice from? I recently had a long and heated argument about whether Edward Scissorhands was a cyborg or not (I was in the wrong as I believed he was), and this point about the ice started it. So as a warning to you reading this, discussing plot holes can ruin friendships.
10. Raiders Of The Lost Ark: Indy saves Hitler
Indiana Jones, hero of the Nazi Third Reich. Why? Well if Indy had just stayed at home during Raiders Of The Lost Ark, World War II would probably never have happened. By his getting involved and reacting to events, he sets in motion a chain of situations that saves Hitler’s life. Belloq would have eventually uncovered the location of the Well of Souls (he was after all a good archaeologist, if a little misguided) and sent the Ark back to Berlin. Which is where Hitler would have opened it and had his face melted by the Angels of Death. Of course, there is a very fair argument that Belloq would still have opened it pre-Hitler anyway, and thanks to Indy being there, the Ark was prevented from being loosed on the world (and put into storage instead). So maybe Indy isn’t a friend of the Third Reich after all.
11. Jurassic Park: Geography
It’s a famous one – the geography of Jurassic Park makes absolutely no sense. Ravines appear from nowhere during the T-Rex attack, and the fact that the T-Rex can somehow get inside the visitors' centre are questions with no logical answer. But the truth is that it doesn’t matter. It’s why we let plot holes go in the majority of cases – because the film works. Spielberg created such an impressive sequence that it doesn’t need to make sense in the real world. It’s true movie magic, and even knowing that it’s not really possible fails to detract from how it makes you feel. So really I guess what this list is about is defining good filmmaking. If a plot hole feels so stupid that it makes you enjoy the film less, than the director has not done their job. You should be able to acknowledge, but still enjoy.
12. Cars: Who built the world?
There’s a whole world built vaguely along human lines, but inhabited by cars. Who built it? Why do they need towns? I like to think that there’s a whole Planet Of The Apes subplot which will be revealed one day where humans built hyper-intelligent cars who eventually overthrew their masters and then proceeded to remake society along the only lines they knew how – human civilisation. Leaving us with a mockery of our own world. A lot of people also think they’re being clever and ask how they reproduce, but that’s a silly question. They get made in factories. However, the very best solution to this plot hole can be found in the Pixar Theory. If you’ve yet to have the pleasure, I suggest you make a cup of tea and look it up.
13. Transformers: The Allspark creates killer Transformers
So in the critically adored Transformers (well adored by the standards of the series), the Allspark, the creator of Transformer life, is used to bring everyday human mechanical objects into life. These same newly created Transformers then proceed to go on a murderous rampage straight away, suggesting that being evil is in the Transformers' nature. Does this make Optimus Prime and his Autobots some sort of weird hippy peace living cult then? And if Transformers just want to kill, then we should atempt to destroy them – not work with the aliens. This is not the Transformers I was brought up on.
14. The Karate Kid: The illegal kick
The original Karate Kid film tells the terrible tale of how cheating will win you competitions and should be condoned. Keep this movie away from impressionable youngsters, who may decide this is the lifestyle to aspire to. Why such scorn for what is to many a treasured film from their youth? Well, time and time again throughout the film’s karate tournament, we are told that kicks to the face are illegal, and will not be tolerated. How does Daniel-san defeat his nemesis Jonny in the final? By a crane kick to the face.
15. The Hangover: Doug just sits there
So after numerous madcap escapades (which definitely wouldn’t get old and tired over the course of two ‘hilarous’ sequels) Phil, Stu, and Alan finally realise Doug had been on the roof of the hotel the entire time. They rush to his rescue and find a very sunburnt but basically okay groom-to-be. The wedding is saved! Now, I don’t know about you, but I remain very sceptical about his survival up there. It’s an average of 41 degrees Celsius in July over in Vegas, with highs of 49 being recorded.In an exposed space with no shade and no water, for several days, I rate Doug’s chances of making it out alive as very low. If by some miracle, he was still breathing, dehydration would have made him a jabbering wreck, hallucinating wildly and probably leading him to jump from the roof in despair at his abandonment. Not so funny now, is it?
16. Independence Day: Mac compatible aliens
They have travelled across space in order to harvest our planet of its natural resources. The best and brightest of humanity are no match for their initial onslaught, and our cities are destroyed. It’s our darkest day. Luckily, however, the alien invaders of Independence Day are Mac compatible and we’re able to upload a virus and win. Yay! Now anyone who uses Mac products will know that nothing is compatible with Macs that isn’t Apple produced. Which begs the question – is that what Steve Jobs was really doing back in the 90s? Sub-contracting firms to build vast star ships under the Apple banner? Still, it all made perfect sense to me as an 11 year old boy watching the film for the first time. And honestly, that’s what really matters.
17. Avatar: Go back home
Pandora is saved. Go back home to your dying planet you humans! I like to believe that yes, the defeated humans did reflect on what they had done, and maybe decided to value life and nature above commerce and needless industrialisation. After all, that was the subtle message James Cameron was trying to teach us. But even when watching the film for the first time, all I could think was, won’t the surviving military just go back to their ship in orbit and nuke the now clearly hostile and dangerous natives? Because that’s what I would do. Of course, they might not have had weapons aboard, and the plot of the sequel may well be the return of the angry earthlings. In which case, ignore this.
18. Harry Potter: not the brightest wizard
Dear Harry Potter, while I respect your claims to be the ‘chosen one’ without ever really seeing (or reading) evidence to prove this (instead we just get told repeatedly. Ah well, all hype and that), and admire your ability to foil villains plans by basically overhearing them while wandering around in the dark, there is one thing I cannot respect. Your decision to ignore that you had a proven, working time travel device (see your adventures with the Prisoner Of Azkaban) and let hundreds (if not thousands) die over the subsequent years, including close friends, when you could have easily saved them is pretty poor. Screw you Harry Potter.
19. The Amazing Spider-Man: Lizard’s rubbish plan
Honestly, does creating lizard men make any sense to anyone? Why is he doing it? Does he even know? In fact, the entire character is just completely all over the place and never really defined – can he control when and how he turns into a lizard? Is he simply a lackey of the unseen Norman Osborn? How can he find time to go and fight Peter Parker at his high-school when he’s on a strict evil plan time-scale? But none of the Lizard issues annoy me as much as when Peter dresses up as Spider-Man to keep his identity secret and then goes around taking pictures on a camera which is clearly marked PETER PARKER.
20. Star Wars: Not even target practice?
It’s a classic. And it’s a classic for a reason. In Star Wars, R2D2 and C3PO don’t exactly make a secret getaway after the Rebel blockade runner is captured by the Imperials. The film notes their escape pod hurtling down to Tatooine. But do the Imperials shoot it? No, not even for target practice. Not even due to the fact they’ve just been engaged in a firefight against heavily armed rebels who are suspected of hiding stolen plans for a secret ultimate doomsday weapon, and which self-same plans they’ll most definitely try and get off the ship. How? Probably in an ejected escape pod. No, it’s probably just a malfunction.
21. E.T.: Why doesn’t E.T. just fly after his spaceship?
The iconic bike scene proves E.T. is basically magic and can levitate objects. So… why doesn’t he just levitate himself right at the beginning of the film and get back onto his spaceship? He’s really close to it! Poor E.T.
22. Batman & Robin: Its, er, one flaw
Den Of Geek is well known for its fondness for Batman & Robin. It’s a cruelly dismissed mini-masterpiece of comic camp (don't worry, he's not being serious - Ed), but there’s one thing even we writers on the site can’t accept. If Mr Freeze really does have a terrible condition which has meant he has to lock his body in what amounts to a walking freezer unit, for fear of over-heating and dying, then why is he smoking a cigar? That’s just asking for trouble.
23. Iron Man: Stane’s secret plan
So Obadiah Stane spends years slowly and subtly maneuvering himself into a position where he can take over Stark Industries. He must have been planning this for decades, first befriending Howard Stark and then mentoring young Tony throughout his life. Guiding him where appropriate but always with a incredibly long view to one day usurping the throne. It’s an Iago-worthy shadowy plan – accelerated only when Stane arranges a hit on Tony as he finally makes his move. But Tony survives, and provides Stane with one more incredible piece of technology. It’s then Stane reveals his master plan, one which he finally rid himself of the thorn in his side and control the world’s supply of weapons – all with no one realising. Yep, he builds a massive metal suit for himself and goes mental with it in downtown Los Angeles.
24. Skyfall: Silva’s gift of prophecy
Was this the straw that broke the back of the 'villain meaning to get caught' plot device? Perhaps, as no matter how fine a film Skyfall is (and it is), Silva’s ridiculous plan just gets even sillier on re-watches. Even if we buy into the fact that his plan was first to attack M but not kill her – destroying her office, leak the agents' identities and therefore get the government to summon her to a hearing and dismiss her in disgrace, we then have to accept that this was all to lead her into an exposed position for him to kill her – that two henchmen give him a fake police uniform backs up the fact that the hearing was always the target. But even ignoring that he could plant some explosives to bring down a tube train directly on top of Bond mid-chase, how did he know he would be captured when he was? What if Q took ages deciphering the code? He would have missed the court hearing! Oh well, it’s still a beautiful film.
25. Rise Of The Planet Of The Apes: Never questioning the monkey
Not once - once! - in five years together does Freida Pinto’s character decide to ask James Franco why he has a super intelligent child-ape in his house. There’s nothing else to say.
Disqus - noscript
An Iron Man 2 ditto head. YAWN!
Plot hole number 48 is explained in Toy Story 2, by the second Buzz... They are ordered to freeze when confronted by humans
2. Back To The Future Part III: The extra DeLorean
The fluids were drained for storage for 75 years. Doc even mentions as much in the flick after digging it up. You don't know what a plot hole is, do you?
The Harry Potter "plot hole" isn't really much of one, as Dumbledore clearly explains to Hermione and Harry before they use the Time Turner: "You mustn't be seen." Why? This would create a paradox. If they try and change events, they could end up destroying all of time and space. The threat of a paradox is a staple of any fiction involving Time Travel. It's why Marty buying the sports almanac in the future creates an alternate 1985 when he takes it with him to 1955, where Biff gets his hands on it.
And if you really want to get all mind-bendy (or is it Wibbly-wobbly, Timey-wimey?), have a look at Doctor Who. In that universe, Time Travel is pretty much the core of the series. But even then, The Doctor realizes that there are fixed points in time: Events that MUST happen and can't be changed - The volcano at Pompeii, the destruction of the Mars base, the Last Great Time War and even his own "death."
While Harry and Hermione can go back and make slight changes - saving Buckbeak and freeing Sirius - the Battle of Hogwarts is a fixed point in time. It simply MUST happen, and no amount of Time Turning can change it. Good and Evil MUST face off in a final battle, and sacrifices MUST be made.
I just assumed the ship in "Man of Steel" had machines to make clothing. Not unreasonable on a star ship, like replicators. I suppose they could have had Jor-El's hologram explain that he modified the system with a vibrant color scheme because those colors often appear on Earth flags (France, UK, US, Australia....)
As for Rosebud. Why do we assume he was alone? He was rich so there could have been a nurse sitting by his bedside (the one you see running in is responding to the monitoring nurses calls for assistance). There might also be a recording device off to the side, that Kane was musing for posterity. Maybe he had said Rosebud several times over the last few days, asking for Rosebud from each of his care givers but being too out of it to explain what it was that he wanted, it was his last words to many people.
The story in which the time turner is introduced creates a paradox. They use time travel to alter events, that leaves the door open to larger manipulations.
If they wanted a device that allowed for attending multiple classes in a day, then a non-time travel device would have been a better choice, like a machine that makes copies of the person, the copies disappear at sundown and the original gets all of their memories. Or a tape recorder to listen to the class later.
Or better: Gasoline was commercially available in 1885. They would have to go to New York to get it, and perhaps have to refine it a bit, but it existed for use.
#50: Midnight is not a clock-specific time; it's a subjective approximation based on an object's position relative to the sun. That is, when the Mogwai has gotten as far away from the sun as he is going to get and for as long as he's still farther away than he is close to it, don't feed the mofo.
The Chekov "plot hole" has been talked about for years and dismissed as "not a plot hole" for years. When Chekov becomes a regular on TOS there is no mention a transfer or anything specific to his appearance. Chekov could have easily met Kahn off screen.
The Terminator one is covered in the first film.
Kyle Reese says something about "we won the war", but Skynet was able to send a Terminator back in order to prevent that from happening.
No explanation how it pumped out the T-1000 several years later, but hey, fate is what we make it.
What? Woman Terminator?
No. Didn't happen.
kane's manor was gargantuan and produced a lot of echo, so even if he whispered that word SOMEBODY would have heard
I don't think the Usual Suspects is as much a plot hole. *spoliers* Soze was probably picked up shortly after the incident on the boat, where he and his lawyer use connections to put pressure on the cops to release him. He didn't know that there was a surviving member of the Hungarian Crew in the hospital as his body was discovered that morning in a drain pipe, while Soze was in custody and not in contact with his lawyer. There was only one person who knew he was Soze and so he had to stick his neck out to get him, which involved the line up. Being in the line up and getting arrested meant that he had to keep the police from looking too close at Verbal Kent. So he stayed in character while waiting to be released. It isn't until near the end of movie I believe that he is told he posted bail twenty minutes ago and was free to go. He is out of the station as soon as Agent Coullian lets him go AND he has convinced the cops that Dean Keaton, a dead man, was actually Soze. Thereby, in his mind, completing what he had set out to do; retain his anonymity.
Interesting article, but you didn't understand Back to the Future III. I doubt you even saw it from the beginning to the end.
Doc and Marty couldn't use anything from the hidden DeLorean because that would have resulted in Marty disappearing since the DeLorean could not be available in the future.
Back to the Future trilogy has scientific issues, like old-theory physics, like disappearing if you change the past of your parents (changing the past isn't possible as far as we know - if you manage to travel back to the past, which is theoretically impossible, and change some things, you don't disappear!), but the one of the DeLorean isn't a plot hole, nor a mistake.
Please, be careful.
On Kane, for years I thought the same thing about how anybody could know what his last words were until I watched it a couple years ago. During the interview segment with the butler, he says he heard Kane say Rosebud twice, once after Kane trashes the room when his wife leaves him and again on his deathbed saying he was in the room at the time of Kane's death. You just don't see him then. A little detail I never caught for a long time.
Well i have to give you alot of them but here are the ones i just have to pick out.
2. Back to the future. Well IF you pay attention in the first part labeled "I" you will notice that if marty's parrents don't shag up, marty goes bye bye. Same basic principal, change the premise for martys arrival to that time will make him disapear and only exist in the way and in the time new circumstances allow, IE no hidden time machine = marty stuck in time.
3. Shawshank redemption. The next time you realize the plot hole you wanted to post, wasnt a plot hole, for heavens sake leave it out >.<
39. Man of steel. So you can accept the premisses that a shout ship conveniently has the tech to repopulate earth with Kryptonians, but the means to create a suit based on a projection of Kal's fathers instructions is outrageous ????? Whaaaaaaaaat ?
45. G.I. Joe. You see a movie with that title, based on actionfigures, and you expect the physics to be coherent ??
Honorable mention
12. Cars. You either accept the premis of the movie or you don't watch it.. honestly. And don't pull the pixar theory, if you can accept that much of a silly stretch, then you truely are just trolling here.
How come nobody ever gets this!? The Time Turner doesn't create paradoxes! You cannot change the past with it! It's directly shown in the book and movie that Harry and Hermione's future selves were in the past even when it was the present (that makes sense right?) The stone thrown through the window, the successful patronus charm?
They didn't reverse Buckbeak's death because he never died. They were there during the first pass along to rescue him, but they didn't see that part at the time (nor did the audience). So the point of the time turner is that you can travel to the past, but you can't change it.
They couldn't use the stored DeLorean because then Marty wouldn't have had access to it in 1955. BUT they could have unsealed the cave and re-inforced the fuel line and/or added a note inside to BRING BACK EXTRA GAS!
That wouldn't stop them from using it to grandfather out other events, though, would it? The whole purpose of it is to change events that would otherwise be unchangeable, so why don't they? Why is the whole Buckbeak situation different from literally any other one?
You are arguing technicalities in a movie where little monsters reproduce by getting wet and are turned to goo by only a few seconds of sunlight.
How is the flying car any more silly than the "Beauty School Dropout" sequence? Is it because it's not framed as a dream sequence?
What are you talking about, Cypher wasn't plugged into the matrix? Yes he was. That's how he was meeting with Agent Smith. I'm not sure what is confusing here?
#13 The Allspark brought human technology to life. It was stated earlier in the movie that Modern human technology was created by studying Megatron. So human technology turns into new Decepticons.
#16 Same thing...human computer tech was reverse-engineer from the alien ship.
(I'll defend my conclusion for #13, but, yeah, #16 is weak. :-)
Fun list! One of my favorites that no one has mentioned yet is in "Batman Begins." There is that scene in Ras Al Gul's dojo: Bruce is asked to execute a prisoner in order to complete his induction into the League of Shadows. Bruce takes the moral high ground and refuses to kill. The problem: in order to get out of the situation, he goes ahead and BLOWS UP THE DOJO, killing like 50 guys in the process. Way to stand by your convictions, there, Bruce.
Some of these actually have explanations.....
18.
The Ministry of Magic was in charge of storing all of the time-turners, and they were all kept in a Department of Mysteries storeroom. Hermione returned her time-turner at the end of PoA, and all of time-turners were later destroyed by Luna Lovegood in the OofP.
20.
Two words: The force, but by who though?. Vader may have because he knew it would eventually lead him to Skyalker. Anakin could see future events, so Vader can too, and the force may have had some sort of influence on it.
42.
Have you even seen these movies? C3P0 and Vader have zero verbal interaction in the original trilogy whatsoever. When Vader does see him in Bespin, he would just be another protocol droid. C3PO even ended up in pieces because he wanted to talk to another protocol droid.
Added bonus: Luke's Jedi training being so short.
This always used to bother me, but there is actually an easy explanation. Time and distance. We don't know how long Han hid in the asteroid, the distance to Cloud City, or the distance to Dagobah. We just assume everything is close together and it takes place in a short amount of time.
"Agent Natalia"? Did you actually saw Avengers? Another piece of crap...
Mark Millar on Kick-Ass 2, Jim Carrey, Nemesis and more
A few weeks ago, we heard what Mark Millar had to say about Kick-Ass 2 while it was still being filmed at Pinewood Studios. But how has he felt about the project since? What on Earth was Jim Carrey's sudden distancing from the movie all about? And what is Millar, now a celebrated and in-demand comic and movie industry figure, up to next?
James managed to find out the answers to those questions, and lots more, with this brand new interview with the man himself...
Please NB: There's a mildly spoiler-y exchange in the middle of the interview that mentions the conclusion of Kick-Ass 2 and Man Of Steel 2. It's been clearly marked in case you want to avoid it.
So, Kick-Ass 2 has a different writer and director to the original. Did that make you nervous?
Maybe a little, ahead of time. I hadn't seen any of Jeff's work and I asked Matthew Vaughn, who hand-picked him, if he didn't think Kick-Ass was too British to go to an American. And he said no, honestly, this guy's really good. And I've learned to trust Vaughn, he knows what he's doing. He's not done a bad movie yet, as a producer or director. And then the screenplay came back and it was almost pitch-perfect - there were a couple of small notes - but it was pretty much perfect straight out the gate.
So as it turns out, there was no reason to worry. I think that the British and American senses of humor are actually really close these days. 20 years ago maybe not, but now we love Entourage, they love Ricky Gervais, so I think the two have merged into one sensibility now, and Jeff just got that.
Because the first movie was really well-reviewed and well-liked over here, but in America the response was... maybe not bad, but perhaps more tentative?
Yeah, in the end we only made $100 million dollars. Which I know sounds ridiculous, but people were saying to me, "Oh, that's awful, Iron Man made $600 million!" and I was like "yeah, but we cost a ninth of what Iron Man cost!" - and then on DVDs we got $140 million, so we knew by September 2010 we were doing a sequel because the advance sales on the DVDs were huge. So the profit was almost $240 million on a $12 million investment, so we knew it was happening.
And like a fool I was answering correctly when people asked about a Kick-Ass 2 movie, saying "yeah, yeah, we made loads of money, of course it's happening!" not realising there's a game you play in Hollywood where you pretend you're not doing one to jack up your price with the studio a bit. But I know that now, so when people ask about Kick-Ass 3 I'll just say, "I hope so"...
Like when people wondering whether or not Robert Downey Jr. actually would be back for Avengers 2 and 3 after his contract ended.
Yeah, exactly. I had a feeling he wasn't going to be doing a sequel to his road trip movie [Due Date] you know? Of course he's going to be doing Avengers 2 and 3!
The original Kick-Ass came out in 2010, which was the same year as another indie comics movie, Scott Pilgrim. The creator of that, Bryan Lee O'Malley, said that making the movie influenced the way he ended the comic, so I was wondering: did the process of making Kick-Ass 2 have any effect on the Kick-Ass comics?
No, I kind of had the end marked out in my head from the beginning, and when you see the comic you'll see the symmetry with that. It can only really go one way, because it's a book about a guy with no superpowers trying to fight crime, so it has a very logical conclusion. It's not necessarily downbeat - I think the third one's a lot more upbeat than the second - but I knew the ending and I reverse-engineered the middle part of the story from that. I like to know the destination before I start writing, Stephen Moffatt or Alan Moore style.
A lot of people do ask if I think of Chloe and Aaron while I'm writing, but I don't think I do, I think of the little doodles. I can never visualise it except as four panels on a page, which is probably why I'm not a screenwriter. Even when I have a bash at doing a screenplay I have to draw it out like it's a comic!
Kick-Ass 2 does have a lot more of Hit-Girl in, and her and Dave's stories run parallel this time around. A long time ago you told us that project that became Kick-Ass started out as being about Big Daddy and Hit-Girl, and didn't really work until you made it about Dave. So having dropped that idea once, how do you feel that it's sort of come back around?
Oh, pleased. I always intended Hit-Girl to be a big part of Kick-Ass 2, and that's why I ended up doing that Hit-Girl mini-series. I had Johnny (Romita, Jr., Kick-Ass co-creator and artist), but he was also working for Marvel which meant it took us 27 months to release 12 issues, which was just agonising for all involved. And originally we had Leandro Fernandez to do the Hit-Girl comic, but even though I love Leandro and his stuff's really brilliant, when it came down to it, it just felt so disrespectful to Johnny to have someone else drawing his character. So I apologised to Leandro, paid him for one issue out of my own money and we waited for Johnny to be ready. It meant we had this weird situation where Kick-Ass 2, which would end up as acts two and three of the movie, came out before act one, which was the Hit-Girl series. It'll all make sense when you read them in the trades!
But yeah, Hit-Girl's story was always really important to me. I'm not sure if I'm that interested in doing a Hit-Girl solo series or movie because she's been created within the confines of Kick-Ass, and there are so many things we can do with that take - small things, like how she grew up watching Van Damme movies and now she's in high school where they're all talking about Demi Lovato or something, and she has no point of reference, and suddenly she's in with people who are pop-culture savvy, and wear make-up, and she's at an age where she should be like that but she isn't because there's no mom figure showing her how to put bunches in or whatever. And just that idea, of a girl without her mother, seemed so sad to me that I thought it was a really interesting angle for a story.
That arc in the movie is one of my favorite things, actually, because Hit-Girl is this character people think is really cool, and yet she has these very familiar and grounded problems about fitting in that pretty much all of us have had at some point.
Yeah, and the underlying moral is just to be yourself, I mean that's what Kick-Ass was always about on some level. A guy who's an outsider making that work for him. And here it's the same for girls as well.
*** Possible spoiler-y bit begins ***
The journey they go on has changed a little in the movie. I don't want to spoil the ending but there is a marked difference - the comic's a bit Empire Strikes Back, whereas the movie has a more solid conclusion.
Yeah, although does it? To me it's inconceivable that we wouldn't do another one after that ending. I actually see it more as sending both characters off on their final journeys rather than an end-point. We did shoot the ending as it was in the comic, but whenever we watched it, it felt too downbeat, so it got cut off and changed. I don't know why it worked with Harrison Ford, but for us it just didn't feel right, so we've pushed back that stuff, which you'll know if you've read the comic, into the start of the Kick-Ass 3 screenplay.
That change was actually Matthew's call, and his instincts were right. When you look at this summer it's actually been pretty grim. You've got Man Of Steel ending with a neck snap... and if Kick-Ass 2 had ended the same way as the comic it would've been another sad movie. I actually think the reason this is going to do well is because you'll walk out of it feeling really good about yourself, and wanting to see it again.
*** Possible spoiler-y bit ends ***
Changing tack slightly, just to tackle the big news story around the movie's release... Jim Carrey. What's your take on what happened there?
Okay, so here's what I think happened. Jim has been a massive advocate of gun control for a long time, but the gun lobby has been bombarding him for months, saying you're in a movie that's full of gunfire. And the picture they keep putting up is that one of Colonel Stars and Stripes holding a gun and laughing. They haven't seen the movie so they don't know it's empty, obviously, and that's even what attracted him to the character.
But I think those guys just got to him, because they were tweeting at him every day saying, "You're a Canadian! Get out of our country!" and I think he'd just had enough. You know, he was just sitting in his house, he just did it by himself saying "I'm sorry, I've got to disassociate myself from this movie." and it became an international shit storm! And I contacted Matthew and he knew no more than I did. So for the first hour it was a bit of a panic, and then after that it was just weird. Because you know, you've seen the movie and it's no more violent than the first, and Jim loved the first so much that he dressed up as Kick-Ass. So it just seemed weird for him to be saying this. It was a bit of a curve-ball, but what it's done is give us a free publicity boost equal to, they estimated, around $30 million. So maybe there's a silver lining!
And just off the subject of Kick-Ass 2, can we get a couple of project updates?
Sure.
So first, is Kapow coming back?
I honestly don't know at this point. I'm doing so many things - three movies back to back, all my comic gigs... and Lucy, who organises it, and Sarah, are doing movie stuff for me at the moment, so they're busy... I hope it'll be back because I loved it, they were my two favorite conventions ever, and we've got such access to people. Maybe we'll move it later in the year. I hope so, but we'll see.
And will Clint be back, or is it wrapping up for good?
We haven't made a final decision yet, but it's just been going along for a few years now. It didn't take off in the way we hoped with the mainstream, it's mainly been selling in comic stores, which isn't what we wanted for it. I think the market's just changed too much for it to work as we wanted, as a kind of outreach for comics, and now people are happy to go to comic shops and bookstores. It's never lost money, but it never made money either so it almost doesn't justify the work that goes into it! It might get folded into the Titan comics line somehow, but we'll see.
And finally, Nemesis 2. Any idea when that's coming out?
I don't know, unfortunately. Steve (McNiven, co-creator) is tied into his Marvel deal and he makes so much more money from Nemesis that he'd love to do it, but he's under contract for another year or something. He said he could maybe do a page a week, but that means it'd take two years to get done, so I told him not to worry and that we'll wait until he's out of his contract and we can do it properly. It's a bit of a pain because I've already written it, but no one else can draw it because it's Steve's thing! But yeah, as soon as he can get to it, it'll happen.
Mark Millar, thank you very much!
Kick-Ass 2 is out in US cinemas now.
Director Colin Trevorrow on Jurassic Park 4
Jurassic Park 4 may be taking a little longer than planned to get to the screen, with the release date seemingly now summer 2015, but we're no less excited for it.
The movie's director, Colin Trevorrow, has played things pretty close to his chest since he got the job, with the internet rumour mill attempting - generally unsuccessfully - to fill in the rest of the blanks. However, he's now appeared on the Jurassic Park Podcast, and revealed as few things about the movie.
With thanks to Bleeding Cool for extracting the key switch, Trevorrow stated his desire to "make a kick-ass Jurassic Park movie", saying "this is not a pay check gig for me". Stating that the movie has to appeal to established fans of the Jurassic Park movies as well as those who have never seen one before, he's clearly a fan of the fact that the movie is so far shrouded in so much mystery.
He did admit though that "I saw some of the rumours on the internet and I would have all kinds of red flags going off if I heard they were going to muzzle a T-Rex. So I would say don’t believe everything you read, there are way more insiders on the internet than there are in real life". Trevorrow certainly experienced this before when he was linked heavily with Star Wars: Episode VII.
He did tease, when asked his favorite dinosaur, "we have a new one that’s pretty cool. I’m not going to tell you anything about it, but… it’s pretty bad ass. I think Jack Horner said something about that too".
The full podcast interview is below.
Jurassic Park 4 should be with us in 2015. And thanks again to Bleeding Cool.
Bradley Cooper May Play Lance Armstrong
New Trailer for Vampire Academy: Blood Sisters
New Pics of X-Men: Days of Future Past
Joseph Kosinski Headed Into The Twilight Zone
Interview with Kick-Ass 2's Jeff Wadlow
5 Possible Follow-Ups to Kick-Ass 2
Kick-Ass 2 will be the third film adapted from the works of Mark Millar. Love him or hate him, he certainly leaves an impact wherever he goes. Known for his sometimes crass, always controversial portrayal of superhuman archetypes, Millar has made an impact in the DC and Wildstorm Universes with Superman: Red Son and his ultra-violent follow up to Warren Ellis’ The Authority. He changed the way the world sees the Avengers in the pages of his industry-shattering Ultimates, and paved the way for the current creator-owned explosion with the debut of Wantedin 2003.
Ted 2 aiming for Passover 2015 release
You don't need us to tell you that Ted was a massive hit last year, and when films make over ten times their budget at the box office, sequels almost become an inevitability. It's been known for some time that Ted 2 was going to happen. What has held things up however was Seth MacFarlane's work on his second big screen directorial effort, the comedy western A Million Ways to Die in the West. That movie is set for release in May 2014 and will star MacFarlane, Liam Neeson, Amanda Seyfried, Charlize Theron and Giovanni Ribisi.
With regards to Ted 2 though, the wheels are very much turning. MacFarlane has now revealed that the target release date for the movie is Passover 2015, which would make it April 3rd 2015. This date would give it a month before The Avengers: Age of Ultron is released. But with the small matter of the release dates for valet/Superman, Star Wars Episode VII and Jurassic Park 4 yet to be confirmed, there's a fair chance that Ted 2 could face some stiff competition (although it does, so far, seem to have the comedy demographic to itself).
MacFarlane and Mark Wahlberg have been keen on a sequel to Ted for some time so their decision to go ahead presumably is more down to their desire to play the characters again rather than it being purely financially motivated.
More news on Ted 2 when it's available.
New pictures from The Amazing Spider-Man 2
We've got until next April to wait in the UK for the release of The Amazing Spider-Man 2, which sees Andrew Garfield reprising the role of the webslinger, alongside Emma Stone. Joining them in the cast this time are the likes of Paul Giamatti and Jamie Foxx. And, given that two further Amazing Spider-Man films, there have been suggestions that narrative strands will be put in place, possibly building to the appearance of the Sinister Six at some point in the future.
These latest promotional shots for The Amazing Spider-Man 2 do little to dampen those suggestions, as you can see for yourself. Also included in this new collection is Mr Stan Lee himself.
We'll have more on The Amazing Spider-Man 2 in due course. The first trailer can't be too far away....
Marvel One-Shot: New Agent Carter Clip Debuts
X-Men and Fantastic Four Films to be Shared Universe at Fox!
I keep seeing 'news' that X-Men & FF movies are crossing over. No, they're not. They exist in same universe but movies stand alone.
— Mark Millar (@mrmarkmillar) August 19, 2013
First Official Image from X-Men: Days of Future Past
The World's End Giveaway: Win a World's End Prize Pack!
Focus Features and Den of Geek are teaming up to give three lucky fans a prize pack for The World's End's release this weekend. Three winners will receive a T-Shirt, Pint Glass, and The World's End Original Motion Picture Soundtrack.
All you have to do to be one of the lucky winners is to email denofgeekgiveaway@gmail.com with your name, address, and what your ONE favorite beer is (don't send a list). Our very own in-house beer guru Robert Bernstein will choose 3 lucky winners on Saturday, August 24 based on who has the best tasting submissions and announce the winner via our Facebook (go like us). Must be 21 years+ to enter, and a U.S. resident!
Soundtrack Details
A signature brew of camaraderie, knockabout humor, excessive quaffing, questionable life choices, hand-to-hand combat and explosive surprises, TheWorld’s End’s eclectic soundtrack channels the songs the five main characters heard over 20 years ago when they first attempted an epic pub crawl. Primal Scream’s “Loaded” is something of a theme for the action in The World’s End, and is featured along with high-profile tracks from Blur, The Soup Dragons, Pulp, Suede, Teenage Fanclub, Stone Roses, Sisters of Mercy (whose t-shirt Simon Pegg’s character Gary King wears throughout the film) – and even The Doors’ iconic take on Brecht and Weill’s “Alabama Song (Whisky Bar).”
Tracklist:
1. Loaded – Primal Scream
2. There's No Other Way – Blur
3. I Put This On A Tape For You – Simon Pegg, Paddy Considine
4. I'm Free – The Soup Dragons
5. So Young – Suede
6. Do You Remember The First Time? – Pulp
7. Welcome – Simon Pegg
8. What You Do To Me – Teenage Fanclub
9. Fools Gold – The Stone Roses
10. We Have Changed – Nick Frost
11. Get A Life – Soul II Soul
12. Alabama Song (Whiskey Bar) – The Doors
13. Wear Your Love Like Heaven – Definition of Sound
14. I Hate This Town – Nick Frost
15. 20 Seconds To Comply (World's End Bomb Squad Mix Re-Edit) – Silver Bullet
16. This Corrosion – Sisters of Mercy
17. Happy Hour – The Housemartins
18. Let's Boo Boo – Simon Pegg, Paddy Considine
Pre-Order the Album: http://bit.ly/WorldsEndSoundtrack
Cheers!
Disqus - noscript
Okay you didn't like it, don't think I will either don't suckle at the Steve Jobs' teat or prostrate myself in front of him as a technological god.