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The LEGO Movie: Meet The Master Builders

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FeatureDon Kaye2/10/2014 at 8:53AM

Everything is awesome in Legoland for The LEGO Movie's cast and directors.

If you would have asked me a couple of years ago about the prospects of The Lego Movie, based on the world-famous Lego line of plastic construction blocks and toys, I would have probably rolled my eyes and said, “Really? Is Hollywood that short of real ideas?” Had you told me a little later that the filmmakers behind the big-screen reboot of 21 Jump Street and Cloudy with a Chance of Meatballs were working on it, I might have shrugged and said, “That’s kind of interesting,” but I would have seriously doubted whether they could make it viable.

Flash forward to late January 2014, and directors Phil Lord and Chris Miller are seated at a press conference being held at the Legoland amusement park in Southern California, where they are enjoying the acclaim and delight of the dozens of journalists assembled to interrogate them. The press corps can be a cynical lot, but not this time, because The Lego Movie is a genuine achievement, a clever and even brilliantly realized fantasy that makes its toys come to full life in a zany, breathless and pop culture-soaked adventure that takes some surprising and well-earned turns into poignancy and meaning as well.


LEGO Movie cast

The Lego Movie follows Emmet (voiced by Chris Pratt), an unremarkable Lego figure who finds himself mistaken for The Special, an extraordinary little person who holds the secret to saving the Lego universe from the ruthless President/Lord Business (Will Ferrell), who hates change of any kind and wants to freeze the Lego multitudes in place once and for all. Emmet is joined on his quest by WyldStyle (Elizabeth Banks), her boyfriend Batman (Will Arnett), the mystic Vitruvius (Morgan Freeman), the cuddly Unikitty (Alison Brie) and a team of Master Builders that include Superman, Green Lantern, Gandalf and other Lego characters out of pop culture and history.

"We wouldn't have been interested in it if it was like, 'We want to sell these toys! Come help us sell these toys!'” says Miller when asked how much influence the Lego company itself had in making the movie. “They're doing really well as a company, so they didn't need a movie. They had the same level of skepticism about a movie that we did, and so everybody agreed that it sort of had to be a film first and a film that was about something. So they were really very supportive of us and let us make the movie that we wanted to make."

"The movie's about somebody who realizes that there's something within him that's special,” says animation co-director Chris McKay. “And maybe he didn't recognize it or maybe the society that he lives in didn't recognize it, and I think that's something that everybody identifies with. Whether you're a titan of industry or a man on the street, you have that feeling that people don't recognize your full potential and that there's something really unique about you."

McKay had to bring scores of Lego pieces to life in a way that made them seem like the real thing – of which there are many in the movie – while also utilizing modern-day visual effects technology. "The most difficult thing was getting a story that made sense and was entertaining,” says Miller when asked about the challenges of making the film. “But from a technical standpoint, I think getting the CG to look photo-realistic and be full of thumbprints and scratches and dust and dandruff, and making you think that it was a real Lego set that matched up with all the real Lego things that are in the movie so that couldn't tell was probably the hardest part."


lord business lego movie

Joining Lord, Miller and McKay at Legoland were Pratt, Banks, Freeman and Arnett, with Pratt – whose career is going nuclear right now with The Lego Movie opening and Guardians of the Galaxy and Jurassic World on deck – describing how he related to playing a tiny little plastic figure: "There wasn't a lot of back story because you know exactly who he is when he starts off. He's this kind of sad, lonely character who doesn't feel like anyone thinks he's special, and through the course of this movie, he's given an opportunity to do something very extraordinary and test himself and prove that he can believe in himself, and also become less lonely by inheriting this family of Master Builders. It's like, in terms of 'doofus with extraordinary things happening around him,' I was like, 'Yeah, I know how to do that.' It's happening in my real life!"

For Arnett, the task of voicing Batman was different; here was a character with almost too much back history for his own good. "I had the easiest job in the sense that everybody knows who Batman is,” says the Arrested Development star. “But what was fun was taking that iconic character who is such a part of the fabric of popular culture and changing the rules to him a little bit. That was fun and funny to me, because he's not necessarily the Batman that we've all become accustomed to.

“We were trying to see what would make us laugh and what we liked about all those (past) Batmen,” he recalls about getting the voice just right for this somewhat narcissistic take on the Caped Crusader. “So the first couple of sessions, we spent a lot of time finding that voice and what was kind of working and what wasn't. We kept hitting on that the more serious Batman took himself, the funnier he was, and that's where we ended up."


The LEGO Movie batman Wonder Woman

The best part of playing the rebellious WyldStyle (whose real name is Lucy) for Banks was getting to avoid the usual gauntlet that female actors have to run for live-action movies. “Most of the time on a movie set, the girls have to be there two and a half hours before the boys have to show up,” remarks the actress, last seen as Effie Trinket in The Hunger Games: Catching Fire. “So getting to sleep in was great, and not caring about the hair and makeup and all that was great.”

She adds that voice work has other benefits as well. “In the booth, I do most of the recordings barefoot, for two reasons: partially because we're not allowed to make any other noise -- like you're not even allowed to wear a watch that ticks because they hear everything -- and plus I like to be really grounded and bounce around and jump around...it's a really good workout, actually."

As with other members of the cast and crew, Banks has children who are enamored with Lego toys like generations before them. Everyone on the panel (except Morgan Freeman, who jokes that his youngest child is 41 years old – but still recalls his kids playing with them) shares either their own memories of playing with Legos or watching their kids go crazy with them. It’s that shared experience of this deceptively simple toy (trivia: some 560 billion Lego pieces have been manufactured since the company started in 1949) that makes The Lego Movie enjoyable for Master Builders of all ages.

"They're a really cool toy,” says Phil Lord. “And one of the reasons is that they're a left brain toy and a right brain toy at the same time. They engage the creative side and the engineering side, and that's one of the things that inspired us in the first place."

The Lego Movie is in theaters now.

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Game Of Thrones’ Ed Skrein Cast In Transporter Reboot

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NewsDen Of Geek2/10/2014 at 1:13PM

The original Daario from Game of Thrones has been cast to replace Jason Statham in the upcoming Transporter reboot trilogy.

In what may be a game of casting musical chairs, Ed Skrein lost the role of Daario to actor Michiel Huisman in the upcoming season of Game of Thrones, but has found another, juicier part: the lead in The Transporter reboot.

Luc Besson’s EuropaCorp production company has revealed to Variety that Skrein has won the coveted role of Frank Martin as the series goes back to basics.

EuropaCorp CEO Christophe Lambert told the trade, “We searched everywhere to find a fresh face who had the potential to become an action movie star and we’ve found the right match with Ed Skrein, who’s not only a great actor but also has enough charisma and physical stamina to play Frank Martin with brio.”

Set to be directed by Brick Mansion’s Camille Delamarre from a script by Bill Collage and Adam Cooper (Tower Heist), the reboot is apparently the first part of a planned trilogy and will take place in the original 2002 film’s location of the French Rivera with the goal of exploring Frank Martin’s past more extensively.

This may be a shock to Statham fans, but never fear, as one franchise closes, another opens, and just last week movement on Mechanic 2 was announced.

The Transporter reboot is expected to begin shooting in June.

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300: Rise of an Empire Sneak Peak Before IMAX RoboCop Showings, New RoboCop TV Spots

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NewsDen Of Geek2/10/2014 at 1:31PM

IMAX will be screening a special preview for 300: Rise of an Empire during all IMAX showings of RoboCop beginning this week.

The IMAX Corporation are going hard on letting you know about the possibilities of 300: Rise of an Empire for when it screens in IMAX 3D next month. Besides teasing us with a 13-minute preview of the movie’s prologue last week, the corporation has now announced that another sneak peak of the swords and Spartans movie will play before each IMAX screening of RoboCop upon its release this Wednesday.

[related article: RoboCop Review]

Opening in IMAX, as well as regular 3D and 2D screenings, The RoboCop reboot is directed by José Padilha and will attempt to win over even the most ardent skeptic with a slew of fan favorite castings, including Michael Keaton, Gary Oldman, Jennifer Ehle, Jackie Earle Haley, Michael K. Williams, Abbie Cornish and Samuel L. Jackson. Of course, the real star will be The Killing’s Joel Kinnaman stepping into the titular big metallic boots. The remake clearly wants to make the brand its own by taking a page from the Rolling Stones and painting it black. Fans can decide if it works February 14.

New TV Spots for RoboCop below.

SOURCE: ComingSoon

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Ubisoft and Sony Entertainment Making A Rabbids Movie

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NewsDen Of Geek2/10/2014 at 1:54PM

Ubisoft and Sony have announced their plans to make a live-action and animation hybrid based on the Raymen baddies, Rabbids.

Ubisoft Motion Pictures has been on a roll with announcing new properties headed for the big screen, and they have another now as Sony Entertainment and Ubisoft jointly announced a feature film called Rabbids. If you do not recall these furry little critters, they are the bad guys in Ubisoft’s addictive Rayman video game franchise.

Rabbids have proven to be more successful than the Rayman character himself, having already enjoyed a TV series, toys, comic books, and a French theme park made in their honor. They also mark the latest Ubisoft big screen attempted adaptation, following in the footsteps of a Splinter Cell movie that currently has Tom Hardy attached and an Assassin’s Creed film with Michael Fassbender’s name on it.

Jean-Julien Baronnet, executive director of Ubisoft Motion Pictures, said in a press statement: “Sony Pictures has tremendous experience developing hybrid live-action-and-animated blockbusters for audiences around the world, which makes them a natural fit for what we want to achieve with a Rabbids film. This deal deepens our partnership with Sony Pictures and highlights our holistic approach to bringing Ubisoft’s brands to new audiences while still maintaining the brands’ creative integrity.”

SOURCE: Deadline

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New Poster for Johnny Depp In Transcendence

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NewsDen Of Geek2/10/2014 at 2:29PM

See the new poster of Johnny Depp finding artificial intelligence in Wally Pfister's Transcendence, a sci-fi thriller also with Kate Mara.

What if a new intelligence was born?

That is the tagline for the new poster of Transcendence, the Wally Pfister-directed sci-fi mystery box that stars Johnny Depp as a slain scientist reborn as the first computer artificial intelligence who is poised to make HAL look like a Siri clone.

Directed by long time Christopher Nolan collaborator and DP Wally Pfister (Nolan is directing this project alongside wife Emma Thomas), Transcendence is the story of how one Dr. Will Caster (Depp) hopes to be the first to create true artificial intelligence that is sentient and capable of consuming all knowledge of human endeavor, and the organization (RIFT) led by Kate Mara that tries to stop him. Transcendence also stars Rebecca Hall as the wife of Will, Paul Bettany as a fellow researcher who must evaluate the morality of Will’s work, and Morgan Freeman and Cole Hauser.


Transcendence Johnny Depp

Transcendenceis due out April 18, 2014.

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Zack Snyder on Batman Vs Superman and Ben Affleck

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NewsGlen Chapman2/11/2014 at 6:43AM

Zack Snyder has been chatting about the influence of The Dark Knight Returns, and Ben Affleck’s role in Man Of Steel 2

There's already been some speculation as to how big an influence Frank Miller’s seminal The Dark Knight Returns is set to be on the upcoming Man Of Steel sequel, which we're still calling Batman Vs Superman, at least until a formal title is announced. The influence of Miller's work was hinted at by Zack Snyder previously, when he used a quote from the series to announce his plan for the follow-up to Man Of Steel.

Snyder's now said of the influence that Miller's work is having on the screenplay that he's putting together with David S Goyer and Chris Terrio that "the comic book will influence the history of Batman Vs Superman, on which the writer David S Goyer and myself will work".

Nothing overly illuminating there then. Snyder then went on to discuss how Affleck as Bruce Wayne/Batman will provide a nice balance against Henry Cavill’s Superman. "Ben brings an interesting counterweight to the performance of Henry in the role of Superman", he said. "He has the experience necessary to paint the picture of an older and more advised man than Clark Kent, who bears the scars of a seasoned vigilante while retaining the charm that Bruce Wayne deploys when present in the world".

Oh, and the latest title rumour for the movie? Man Of Steel: Fight Or Flight. It's one of a bunch of domans relating to the sequel that Warner Bros has registered (as noticed at Reddit). We'll believe the one when we see it, though.

The film is released on May 6th 2016.

Popcorn (via Comic Book Therapy)

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Drew Pearce interview: Iron Man and the Marvel Universe

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FeatureJames Hunt2/11/2014 at 6:52AM

Drew Pearce chats to us about Iron Man 3, the new All Hail The King one-shot, and getting No Heroics onto DVD.

This interview contains spoilers for Iron Man 3.

Following his stint on the latest Iron Man film, writer Drew Pearce has dipped back into the Marvel Cinematic Universe with his new Marvel One-Shot All Hail The King, a short film which continues the story of Croyden's finest, Trevor Slattery, as he finds himself in prison following the events of Iron Man 3.

So, we'll start at the beginning. How did this get started? Did you pitch the idea to Marvel, did they pitch it to you? How did the ball get rolling?

Oh, it came from us, definitely. Over the last few years, I've talked to Kevin Feige and Louis D'esposito about tonnes of different ideas, and then the very first day that Sir Ben came on set and absolutely killed it as Trevor Slattery, I pitched him a one-shot and he said "Absolutely! Go and write it." So I did, I wrote it in my hotel room that night! The script changed a little over the course of the next year or two, but that was how it came about. Well, that and me badgering Kevin and Louis to the point of utter annoyance almost every time I saw them about whether I could write and direct one.

Ah, and that brings me nearly to my next question, which was about directing. Obviously you're best known as a writer, so what prompted this shift?

Well, I got into TV and film just because I love making stuff, to put it in the most prosaic terms. I was a producer and writer, and showrunner on TV, and I directed shorts before I wrote TV and movies, then when I was lucky enough to get a couple of breaks I got sucked into the world of solely writing, which wasn't particularly my intention. But this gave me an opportunity to get back into directing, which I sorely missed.

It's a strange thing though, it feels like a muscle that stops working if you don't exercise it, and then you start to wonder if the limb's ever going to function again. So it's gratifying that people seem to like the short, I've had some good feedback and I'm happy with how it turned out. Although, it makes it a bit easier when the way you ease yourself back into directing is with a Knight of the Realm. Sir Ben's not only good at acting and has been for fifty years, but he was probably one of the most magnificent outlier actors of his generation. So don't get me wrong, the reception probably hasn't been a lot to do with me and has been a lot to do with my genius cast.

That's very modest!

And totally true, unfortunately!

Okay, so, because we're Den Of Geek I'm going to get the geeky questions in...

I love that you think I won't be getting geeky questions from everyone.

I bet I can outdo them.

Go for it.

So. Seagate Prison. In Marvel's comic universe, it's famously the prison where Luke Cage got his powers, and it's where Trevor ends up in your one-shot. So what I want to know is where that came from. Was it someone at Marvel saying "Hey, so we've got this Luke Cage project coming up on Netflix..." or was it an easter egg you put in, or was it someone else's thing entirely?

It's interesting, actually. The thing about Marvel is that while there obviously is a masterplan, it's not as big as people think. A lot of things go in just from the imagination or will of a very tiny creative team. The reason we used Seagate was just that I needed a prison to go on the back of Trevor's jumpsuit and I love Seagate, and I especially love that it's off the coast of Georgia, which seemed like an easy transfer from Miami where Trevor gets picked up by the cops. Plus it's probably the most iconic of the Marvel Universe prisons.

Also... and this is the logic you can spiral into when you've got a whole cinematic universe to play with... one of the things I wanted was in order for Trevor to be as funny as possible, he has to be in the most dangerous situation possible. Seagate, certainly to a fan audience, is shorthand for somewhere that's genuinely dangerous for someone like Trevor, which heightens the humour. It has to feel like he's going to get killed by at least 50% of the people in the mess hall and Seagate's a really quick signifier of that.

And now even more geeky - the basic idea of a character interviewing The Mandarin to make a film of his life was the premise of one of Matt Fraction's Invincible Iron Man annuals. Was this One-Shot specifically intended as your take on that story?

I'd love to say that was my intent. Obviously I've read that annual, I think it's called the Story of My Life? [it is] And first of all it's worth saying that I suspect everything I do in Iron Man's world is influenced by Matt Fraction. I think it's one of the great runs on the character. It's as epoch-making and definitive as anyone else has been since the beginning. I consume his ideas voraciously and probably copied every one of them, subconsciously. So while it may well have been in there, it wasn't my starting point.

Partly, that's because it's about a very different Mandarin and takes a very different turn. It's arguably the darkest story in all of Invincible Iron Man, it's just super-dark! And I love it for that. But truthfully, everything about the premise comes down to the practicality of making a short film like this. We don't have much money to make it, we want something that's dramatic, funny, has a bit of action... And really I only have the budget for two people sitting in a room. So an interview seemed like a good way into that.

So back to questions that people other than me might be interested in... Since you just mentioned the contrast between those two versions of the Mandarin - and not to spoil anything, but there are things in this short that address both versions of the character - what was your reasoning for doing your version? Was it a case of "If I don't do this, someone else will?"

Well, Trevor in Iron Man 3 - and if this sounds highfalutin, I apologise - but Shane Black is a brilliant writer and director, and his vision going into Iron Man 3 was that it should have basis in real emotion and real themes. So one of the things we were looking at was false faces. In relation to Tony, he's dealing with Iron Man suddenly being a bigger face than his own. And that combined with us wanting to use The Mandarin but not really finding a satisfying way to tie the character into the overall theme for the story to produce Trevor.

And now we're done, the journey of the man they called the Mandarin can continue in different forms.

Still, it's one of the proudest things in my career, and I know Shane Black feels the same, is that we got Trevor Slattery to screen. Which is why, honestly, the main reason for doing the short was Sir Ben's utterly incredible performance and getting to step into his head for another 15 minutes.

It is genuinely incredible, I could've watched him for hours.

It's insane! We were so flabbergasted. He delivered the lines exactly as written, but they were so... it just goes to show that for a great actor, sometimes improv isn't the way that they find the character. Sometimes it's what they build on which just makes you go "I never saw that coming!" even though you wrote it.

Okay, and for our last question - this isn't about Iron Man or the one-shot, but I have to ask it: who do we bug to get No Heroics back into print on DVD?

Oh my god! Tell me about it! I wish I knew, but a tiny campaign to get it on DVD or Blu-ray would be amazing. It's actually BBC Video that hold the rights to it. And while it's exciting that copies of the original DVD are changing hands for upwards of £200, it is also ridiculous. So yeah, Netflix, Hulu, whoever wants to take it, I wish we could get it on them all.

I'll have to see if we can start a movement then, because it's been way too long.

Yeah, do it! Free No Heroics!

Drew Pearce, thank you very much.

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Shooting begins on Avengers: Age Of Ultron

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NewsSimon Brew2/11/2014 at 6:55AM

Joss Whedon begins filming of The Avengers 2 in South Africa. Plus: where else is the movie set to shoot?

Whilst plenty of blockbusters once earmarked for the summer of 2015 - Star Wars: Episode VII, Pirates Of The Caribbean 5, Independence Day 2, Batman Vs Superman for instance - have long since scuttled off to other dates, Joss Whedon's Avengers sequel has not budged an inch.

Avengers: Age Of Ultron is set to land in cinemas in May 2015, and we now learn the filming has begun. The production is currently in Johannesburg for two weeks, with location work in Italy and South Korea also planned. The bulk of photography will be done in the UK.

We've also had an unconfirmed report that some pre-production filming was done at Waterloo Station in London, in the old Eurostar terminal there. The suggestion is that if Joss Whedon is happy with the test footage they shot there, the Avengers: Age Of Ultron team will return later in the year.

We suspect a formal, posh start of production press release will land from Marvel soon. In the meantime, the countdown to the return of The Avengers has very much begun...

Independent Online.

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Disqus - noscript

Hold on! They're making another Avengers movie? Does DC know about this?

Yes they do know about the new marvel movie

No they were not included in the memo


Who's going to be playing Kyle Reese in Terminator: Genesis?

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NewsSimon Brew2/11/2014 at 7:00AM

The shortlist for the male lead in the upcoming Terminator: Genesis is apparently down to two...

With Emilia Clarke already cast as Sarah Connor and Jason Clarke locked in as John Connor, the missing part of the Terminator: Genesis jigsaw is the identity of the man taking on the mantle of Kyle Reese this time around. As it turns out, the shortlist for the role is apparently now down to two.

The two actors concerned are reportedly Jai Courtney (Spartacus: Blood And Sand and A Good Day To Die Hard) and Boyd Holbrook (Gone Girl and Jane Got a Gun).

The film is set for release on July 1st 2015, and apparently the role of Reese is "a big job, as it figures to span at least two movies that will end the story of Skynet’s battle with the resistance that began with Cameron’s two films with two more that followed".

Once the casting is confirmed one way or the other, we'll let you know.

Source.

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Disqus - noscript

If only they could have found one more actor with the last name clarke...

An Interview with Re-Action Figures Toy Designer Brian Flynn

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InterviewChris Cummins2/11/2014 at 7:10AM

Chris talks to one of the masterminds behind the retrotastic Re-Action Figure toy line.

As toy industry lore has it, Kenner was so thrilled with their acquisition of the Star Wars license that their desire to land the next big thing led them to acquiring the rights for a new sci-fi film that 20th Century Fox was producing called Alien. The only problem was that Alien wasn’t exactly the family friendly feel-good flick that George Lucas’ space opera was, so Kenner’s toys sat unloved and unwanted on toy shelves. The company decided to scrap their plans for a 3 ¾ line of figures that would bring Ripley, Ash, Dallas, Kane and an Alien -- lovingly nicknamed the “Big Chap" -- to rec rooms and schoolyards everywhere (not to mention provide nightmare fodder for an entire generation of kids).

Throughout the years, the Alien prototypes have left toy collectors everywhere feeling mournful about what could have been. One of these enthusiasts was Brian Flynn. An acclaimed toy designer who works with Hybrid Design and Super 7 toys, he was unwilling to let these unproduced masterpieces fade into history. So he decided he’d help make them himself. His efforts helped launch the Re-Action figure line, a collaboration between Funko and Super 7 that promises to offer up retro-stylized versions of a variety of movie characters. For their initial offering, Funko/Super 7 has finally made the Kenner’s would-be Alien figures available to collectors. The resulting toys are endlessly cool, and not just because you can finally have a 3 ¾-sized Alien hanging around in your Creature Cantina dioramas.  They merge the past and future together in such a way that looking at the toys feels like a miniature version of time travel. Awesome.


We recently had a chance to speak with Brian Flynn about the Re-Action figure line. Here’s what he had to say:

What was the genesis of the Re-Action Figures line?

I have been collecting toys for almost 25 years now. In the summer of 1991 I decided that I wanted my old Star Warsfigures again. So I started going to flea markets, and that was right when Action Figure News and Toy Review was just getting started. Not too long after that they published a story about the unproduced Alien prototypes action figures. Back then, the 18” Alien was one of those pre-Internet coveted things that you thought you would never find. Now you can Google and buy one in five minutes, but then the idea of these prototypes was just this bananas thing. Like “what the hell is that? Oh my God!”  They were one of those things that held my fascination for the last 20 years.

A couple of years ago after we did the Super Shogun Stormtrooper we had figured out a way that we could start making action figures. But we had to figure out a way to do what was interesting, because where action figures were heading in general just wasn’t interesting to me. We were just shooting the breeze one day and we were talking about it and we said "you know it would be awesome is those old prototype Alien figures." And they we said "well why don’t we do it?" By the time we got to that point we knew a lot of the prototype collectors. So we just started asking around anybody knew who had the prototypes. We were lucky enough to be able to buy a couple and then get photos of the others and we had people let us take a look at the prototypes. So some we were able to cast directly off the originals and some we were able to just basically do side by side comparisons and copy them because the guys who actually owned them were like, "no you can’t cast my one of a kind prototype, I don’t it want to get screwed up."

It was just basically “let's make the thing that we want,” and that was the genesis of it. What do I want? I want the Alien action figures that I could never have that I’ve been drooling over for 20 years.


What really surprises me is how the Kane figure seems very sophisticated. How close was that figure to the original mold?

The first piece we got was the Kane. It is surprising the amount of detail that it has in the sculpt for a 1979 Kenner figure, but at the same time it retains with that sort of simplistic point of view. It has a little more detail than you would typically see in the Kenner figure. If you look at Ripley and Ash and Dallas they are very simple, especially in how their clothing is rendered. I think it is just because there were details that they could do, like you can’t make fabric, texture and folds very easily, but if you look at the photos of Kane’s suit there are clear vertical delineations in the lines and the padding. I think it just made Kenner able to put a little more detail in it. But when you get in the head and it is like “bonk!” (Laughs). The Alien has a surprising level of detail for the time as well.

Kane was the one that really took me off guard because the level of detail on the suit is just that really astonishing. Especially when you look at it next to Ash, who is a very standard figure.

Ash is what you’d expect. Exactly. Both the Alien and the Kane in the Space Suit both are a little more detailed, almost the amount of detail that you would see in a Return of the Jedi or Power of the Force level-figure rather than a Star Wars/The Empire Strikes Back figure.

So now that these figures are completed how do you feel about them? What other the characters in would you want to include in a possible second wave?

Well we are super excited about them. It has taken us about two years to get this thing up and going, and I'm very excited to just let them hit the shelves.  I want to hear other people’s excitement about them. I think that there is definitely a,  I wouldn’t say untapped market because that just sounds wrong, but I think there are a whole lot of us who  grew up on that stuff  .We go to Target and Toys "R" Us and we buy action figures to this day because we love them. But at the same time do I really need my 330th variation of Darth Vader at this point? Maybe not. So I think the nostalgia and the charm of these are something that all of us have been looking for and not quite able to grasp. I think it is going to be great. As far as next wave, we have a whole bunch of plans in place but I don’t want to spoil the party.  Please buy this wave so we can make the next one!


That is definitely a point that needs to get out there, not only for the future of the Alien figures but for the other proposed Re-Action figure lines as well.  Is it true you will be doing an Escape from New York line, or is that fanboy dreaming at this point?

Oh no. Escape is coming. We have all wanted a Snake Plissken.

The Escape from L.A. Snake from McFarlane’s Movie Mania line didn’t quite cut it.  

(Laughs) This will be awkwardly nostalgic as well.

As a designer what are the challenges you face on making brand new toys that capture the retro feel you want from the Re-Action figure line?

It is interesting because there is a wide breath of 3 ¾ figure. As you span from 1977-78 out through 1983-85 and even into the late 80s of how people approach the (action figure) format. If you look at Kenner’s first 21 Star Wars figures, they are very simplistic. The paint is super thick. Almost all of the paint is held in the mold of the figure. Most of the figures are two colors. Think about the Cantina aliens -- they’re all designed to be two colors, minimal spray apps, very simple. By the time you get to Empire you are dealing with a much higher level of detail, especially if you think about the Luke in Hoth Gear with the billowing scarf figure or something like that. Then you contrast that with how the Buck Rogers in the 25th Century, Clash of the Titans, or Battlestar Galactica figures were handled. They were much thinner and they all didn’t have T-jointed waists . Then figures start getting into a huge range of variations, especially in weight and thickness.

But what I always come back to is what is my nostalgia level? What am I interested in? And I think it’s the very simple gestures that happen in the Star Wars line, those first 21 figures, and even some of the early Empire figures like Han in his coat. They are simplified. The hardest part about it is just really coming back to the reduction and not getting caught up in all the details. For me, I come back to those 21 figures and use them as the guide posts for complexity.

What are some of the other lines that you are planning?

Come Toy Fair we will have a lot of announcements ,and I'm going to be a little bit vague only because Funko  has more elaborate plans on how their debuting them  there. But The Terminatorand Escape from New York will be next two that hit the shelves. Then after that we have been talking about Aliens, The Goonies, The Nightmare Before Christmas, and Firefly. We have been talking about a gazillion licenses.

What about like the spin off product like glass tumblers? Will you be doing any more neat little promos things like the print catalogs to promote the Alien figures?

We will definitely be doing some more print catalog-type items. Obviously there was the Alien Early Bird kit which was a great nod. For San Diego this year we have something completely unexpected that I think will blow people away. As far as the glasses, I'm literary swapping emails with the Star Wars people right now.  We are going to do Star Warsglasses, but we are not going to do movie glasses.  If you think about the old character glasses like Batman, Aquaman, Tom and Jerry, etc., we are going to do Star Wars glasses in that style. We are going to be doing glasses that are nostalgic; things that didn’t get made back in the day that should have. Also, we have our own Star Warsapparel license. So we have got some really crazy stuff that other people aren’t making.

It sounds like you have the best job ever.

I'm trying to make it that.  If I'm going to work on stuff I might as well make stuff that I want to do!

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Knights of Badassdom review

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ReviewJason Tabrys2/11/2014 at 9:12AM

Knights of Badassdom, the supernatural LARPing movie starring the likes of Peter Dinklage and Summer Glau, doesn't quite get it together.

Geeks are pop culture’s exotic overlords, powerful and misunderstood. Every year, the most successful movies and most popular TV shows seem as if they are powered by that geek/nerd/fan dollar, but there are scant stories that really “get” that audience when they are the subject. Usually, these efforts falter thanks to the sin of generalization, painting all who “geek out” about science fiction, comics, gaming, fantasy and the like as though they are awkward social freaks. Knights of Badassdom is no exception.

By and large, the composition of the nerds that are portrayed in film and television still seem closer to the characters in Revenge of the Nerds than they are to the people that you meet at a comic convention. Prior to its release, the Nerdistproduced Zero Charisma seemed like it might right that wrong and tell a story with relatable nerdy characters, but instead, the film introduced us to another stereotypical collection of emotionally stunted nerds. What’s worse, the film presented a well-adjusted connoisseur of nerdy things -- the type of nerd that is more common in real life -- as a kind of poseur, essentially because he has an attractive girlfriend and other interests.

Like Fanboyslong before it, Zero Charisma could have been something quite special that spoke to nerdy viewers before it settled for something less. Sadly, Knights of Badassdom joins that club as well.

Initially showcased at SDCC back in 2011, Knights of Badassdom seemed like it was a guided arrow heading right for the nerd heart with a cast that included Firefly, Game of Thrones, Community, and True Bloodalumni and a plot that centered on LARPing and supernatural beasties. The initial buzz fizzled, though, as the film found itself lost in a pile of post-production quicksand and controversy, finally earning a limited theatrical run three weeks ago and a VOD release today.

The thing is, this isn’t director Joe Lynch’s cut of the film -- that was one of the lasting casualties brought on by the lengthy crawl to the screen. Does that mean that we may never get to see the true genius of this film? Possibly, but it seems pretty clear that Knights of Badassdom has problems that transcend the magic of editing. Blessed with a talented cast, Knights of Badassdom mostly squanders it’s opportunity to be fresh, funny, and smart, opting instead to unfurl a lifeless “cabin in the woods” film sans the cabin.

In the film, three friends -- Eric (Steve Zahn), Hung (Peter Dinklage), and Joe (Ryan Kwanten) -- go off into the woods shortly after Joe gets his heart broken by his future-minded girlfriend, Beth (Margarita Levieva). Joe is a metalhead mechanic with a communications degree who used to play D&D, but he isn’t a LARPer like Hung and Eric, so it’s hard for him to see the restorative value of the trip, especially since his friends kidnapped him to bring him along. Once in the woods, the trio meet up with Gwen (Summer Glau), her cousin Gunther (Brett Gipson), Lando (Danny Pudi), and Ronny (Jimmi Simpson) -- the game-master and a former D&D rival of Joe’s.

I wish I could say that Pudi turned in more than an elongated cameo, but his character does little to leave an impact. The same can be said of Glau, who has a more substantial role as Joe’s prospective love interest, a match made unbelievable by their lacking chemistry. If there is a positive, it’s Jimmy Simpson, who shines as Ronny thanks to a less is more approach with a character that could have been laughably over-done in another’s hands. It’s Ronny who pushes Eric to cast a reanimation spell to give Joe the powers that were previously held by Reginald, a LARP compatriot who was injured during a paintball attack by a group of totally needless redneck plot devices.

Of course, Ronny doesn’t know that Eric’s spell book is real or that he will summon the hell beast that will pick off game players one by one (including Joshua Malina, whose jaw gets ripped off, silencing his dulcet tones forever) before terrorizing the dozens of LARPers that are assembled in the woods. Former Mad Men actor Michael Gladis also deserves a bit of praise for his fiery speech prior to the big battle and the Kingly way that he carries himself in a small but fun role.

With the exception of Joe and possibly Ronny, there really is little effort applied to introduce us to these characters or make us feel anything for them. Blood spills, screams are heard, and things get a bit insane, but really, the effect is nil. I hate to sound cynical, but it almost feels like the film assumes we would automatically care about these characters because of the actors portraying them. Admit it, if Abed Nadir, Jason Stackhouse, River Tam, and Tyrion Lannister were fighting a succubus in the woods, you’d feel invested in the outcome, and thanks to the power of imagination and scant character development to tell you otherwise, you can approximate that with this movie. While the third act ramps up the action a bit, with Bear McCreary’s muscular metal mayhem score coming to the fore, it isn’t enough to make up for the ultimate hollowness of the overall film and a clumsy closer that will flat out piss off Tenacious D fans.

Ultimately, Knights of Badassdom feels like a film that believed its nerdbait premise would distract viewers from feeling underwhelmed by underdeveloped characters, a mostly charmless script, and lackluster visual effects. This isn’t the nerd opus of our time (it’s not even the best LARP-centric film, wassup Role Models?), it’s just a bunch of famous people playing pretend in the woods.

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Super disappointing. Thanks for the tip, though.

I have to disagree with most of this review -- especially:

" Does that mean that we may never get to see the true genius of this film? Possibly, but it seems pretty clear that Knights of Badassdom has problems that transcend the magic of editing. Blessed with a talented cast, Knights of Badassdom mostly squanders it’s opportunity to be fresh, funny, and smart, opting instead to unfurl a lifeless “cabin in the woods” film sans the cabin."

1. From what was said at the time of movie's original preview, this film was supposed to be a lark and not an opus to all things nerdy. In fact, it promised more to be about LARPers than geeks and nerds in general. Yes, it has a talented cast, but they weren't supposed to be creating an epic anything. Just a fun movie.
2. You talk about the reduced roles and the lack of character development being part of the problem and that the film "squanders its opportunity to be fresh, funny, and smart." Yet, you acknowledge that the film is a hack job. You have no way of knowing just how much was cut and whether those cuts would have filled these missing areas.
3. Saying that a cut movie might have been bad even without the cuts without having actually seen the original is ridiculous. The movie might have been great before the bad edit.
4. Lastly, the movie was meant for 2011/2012 release?? People's tastes change. Back then, this movie might have been the perfect fun afternoon flick. If we could see the uncut version today, it might still be the perfect fun afternoon flick.

This film poke fun at LARP in a good spirited way, as well as itself. Yes, the special effects are cheap but the film is enjoyable.

Shirley Temple Black Dead at 85

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NewsDavid Crow2/11/2014 at 12:29PM

Great Depression singing and dancing icon Shirley Temple passed away Monday at the age of 85, and all of cinema remembers.

Shirley Temple Black, America’s favorite sweetheart dimples during the Depression, passed away this Monday. She was 85.

A family spokesman said in a statement, “We salute her for a life of remarkable achievements as an actor, as a diplomat, and most importantly as our beloved mother, grandmother, great-grandmother, and adored wife of fifty-five years.”

Shirley Temple Black, or simply Shirley Temple as she will always be known through the immortality of black and white celluloid, is remembered by movie lovers as the precocious innocence whose singing and tap dancing brought joy to millions of Americans during one of this country’s darkest decade-long hours. Between 1934 and 1940, she starred in 24 films before she even reached the ripe old age of 13. During that period, she toe tapped into cinema’s heart via “The Good Ship Lollipop” in Bright Eyes (1934), “When I Grow Up” in Curly Top (1935), and “Swing Me an Old-Fashioned Song” in Little Miss Broadway (1938), amongst others. Some of her most famous roles also included The Little Colonel (1935), The Little Princess (1939), and Just Around the Corner (1938). Adolphe Menjou, Temple’s singing co-star in her first star vehicle Little Miss Marker (1934), famously quipped that she was “an Ethel Barrymore at 6” and was making him look the stooge.

During that era, Temple received more fan mail than Greta Garbo, was photographed more often than President Franklin Delano Roosevelt, and was considered America’s favorite movie star—sorry Fred, Ginger, Clark, and Cary. Her fame was so overpowering that the Academy Awards’ ruling Board of Governors bestowed a special “lifetime achievement” award called the “Academy Juvenile Award” for outstanding performances from actors under the age of 18. It was first awarded in 1935 to Shirley Temple at the age of 6, despite only staring yet in two films (though she appeared in a total of eight movies in 1934).

As she got older, Temple appeared less and less frequently in feature films, all but retiring from the business in 1949, save for a short-lived television series, Shirley Temple’s Storybook, which aired on NBC between 1958 and 1961.

However, Temple would have great success past the once-adoring movie house, as she became a prominent Republican fundraiser after marrying Charles Alden Black in 1950. President Richard Nixon appointed her as a delegate to the United Nations General Assembly in 1969, and she would earn international respect for her role as U.S. ambassador to Ghana from 1974 to 1976 under the Gerald Ford Administration. She also was Ford’s chief of protocol from 1976 to 1977. She later served in President H.W. Bush’s Administration as U.S. ambassador to Czechoslovakia during the tumultuous transition for the Eastern bloc, as it shook off communism in 1989. In Czechoslovakia, it was called the “Velvet Revolution” by November of that year.

Shirley Temple Black always remained levelheaded despite earning $3 million by 1939. She remained as such throughout her personal life, overcoming a bout of breast cancer very visibly in 1972 when she held a news conference during a period where such procedures were viewed with suspicion.


Personally, I will always fondly remember her for her appearance in Fort Apache (1948). Shot when Temple was 19, she was attempting to be more starlet than star, and provided a lovely even-handed energy as Miss Philadelphia Thursday to the classic John Ford machismo picture that was otherwise the battle of wills between a Custard-like Henry Fonda and a surprisingly progressive John Wayne, just as an Apache apocalypse for all was imminent.

Shirley Temple Black is survived by her children Susan, Charlie Jr., and Lori, her granddaughter Teresa, and her great-granddaughters Lily and Emma.

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Under the Skin Trailer Starring Scarlett Johansson

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TrailerDen Of Geek2/11/2014 at 12:46PM

Watch the newest trailer for Under the Skin, the sci-fi alien invasion movie where the monsters come in the form of Scarlett Johansson.

With the first U.S. Trailer (with a release date) for Scarlett Johansson’s Under the Skin, we discover that she has always had a special kind of pull over men. She travels the backwoods and American highways through the most remote countryside searching for a man. One that she can eat without notice.

Yes, in her newest film, which premiered earlier this year at the Venice Film Festival, Johansson plays an alien who has traveled to Earth in order to take on the appearance of an ideal human specimen, which is all the better to lure victims to their death for. However, she soon discovers from her unique perspective an appreciation for Earth’s dominant species. This epiphany puts her in direct conflict with her alien brethren who are also coming to the third rock from the sun.

The film, directed by Jonathan Glazer and based on a book by Michel Faber, offers a unique perspective to the “alien walks among us” thing, as well as the premise of a demon lover or succubus using sexuality to entice her meal. Plus, you always knew there was something a little TOO alluring about Ms. Johansson. Suddenly, it all makes sense!

Under the Skin opens April 4, 2014 in the U.S.

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Alexander Skarsgard and Margot Robbie Swing For Tarzan in Summer 2016

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NewsDen Of Geek2/11/2014 at 2:59PM

WB has greenlit David Yates' 3D reboot of the Tarzan legacy with Alexander Skarsgard, Margot Robbie, and Samuel L. Jackson attached.

The long brewing Tarzan 3D reboot finally got the greenlight from Warner Bros. today, as the studio proudly announced the upcoming film with a release date slated in the U.S. for July 1, 2016.

Based on the works and characters of author Edgar Rice Burroughs, Tarzan is meant to be a 3D summer extravaganza and is fittingly helmed by one of WB’s go-to directors for this sort of fare: David Yates, director of the last three Harry Potterfilms.

Joining Yates is the long-attached Alexander Skarsgard (True Blood) in the titular role of the vine-hanging enthusiast, as well as Margot Robbie, fresh off her star-making role in The Wolf of Wall Street, as Jane Porter, the love of Tarzan’s life. Samuel L. Jackson and Cristoph Waltz, reuniting from Django Unchained, are also set to appear in the reboot.

The movie’s screenplay has been worked on by several scribes to date, including John August. It is also being produced by Jerry Weintraub of the Ocean’s 11 trilogy.

“We have assembled a phenomenal international cast to tell this extraordinary story,” said Greg Silverman, Warner Brothers president of Creative Development and Worldwide Production. “Warner Bros. has also enjoyed long and successful collaborations with both David Yates and Jerry Weintraub, and we look forward to seeing what they and the entire team have in store for this timeless tale.”

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Frozen Lets It Go With First Live Concert In Forever

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NewsDen Of Geek2/11/2014 at 4:41PM

Watch clips of this past weekend's exclusive Frozen concert with Idina Menzel, Kristen Bell, Josh Gad, Santino Fontana, and more.

In case you haven’t heard, Frozen has been nominated for several Oscars, including Best Original Song, at this year’s Academy Awards. And if that doesn’t make you want to sing like a snowman longing for summer, then knowing that Frozen also became the third highest grossing film of 2013 this past weekend, as well as the highest grossing animated film, surely will.

But the coup de grace may have been the very timely Frozen concert with the original vocal talents and creators of the musical put on full display…for an invitation only affair at a swanky Los Angeles jazz and cabaret grill. Not exactly meant for everyone, the flurry of good feelings was a celebration of the many wonderful songs in the Disney musical and is right in time for Academy voting deadlines.

Still, Disney knows that Frozen’s globally growing fanbase couldn’t all fit into a single restaurant for what was the first live concert of Frozen in forever. So, at least footage of the event has now surfaced for your viewing pleasure. Enjoy snippets of Josh Gad MC’ing and belting “In Summer,” Kristen Bell and Santino Fontana harmonizing on “Love is an Open Door,” and of course Idina Menzel freezing all’s attention with “Let It Go.” If only, they included the reported number where Bell apparently sang “Build a Snowman” with a “child’s voice.”

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The Amazing Spider-Man 2 Virally Teases Alistair Smythe

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NewsDen Of Geek2/11/2014 at 6:28PM

After Marc Webb hints at The Office's B.J. Novak as playing Allistair Smythe in The Amazing Spider-Man 2, The Daily Bugle is on the case.

Only a week after The Amazing Spider-Man 2 director Marc Webb teased B.J. Novak’s role as Alistair Smythe in the upcoming sequel, Sony Pictures is pushing it further with their faux-The Daily Bugle website on Tumblr.

Below, the latest tidbit has been reported about the robotics expert.

Within a week of the announcement that the NYPD and the District Attorney’s Office had opened an investigation into illegal activities and questionable medical practices at Manhattan’s Oscorp Industries, sources indicate several of their top scientists have been asked to leave.

Reports cite the recent forced resignation of Dr. Spencer Smythe, the Director of Robotics, amongst others. He was seen leaving Oscorp Tower yesterday with a box of his personal belongings.

When asked to comment on the current employment situation of Dr. Smythe, Oscorp spokesman Donald Menken had no comment. Later in the day, Oscorp sent out a press release congratulating Alistair Smythe on his promotion to the Director of Robotics formerly held by his father. How Mrs. Smythe expects this will impact holiday dinners remains unknown.

The Amazing Spider-Man 2 opens May 2, 2014.

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Star Wars: Episode 7 set to Begin Shooting In May

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NewsSimon Brew2/11/2014 at 10:55AM

JJ Abrams will be shooting his new Star Wars film from May through to September, it's been revealed...

It looks as if Star Wars: Episode 7 is finally at a point where it's ready to shoot, following a development period that's not been without its challenges. Originally set to start shooting in January, filming was pushed back, and the release date - once planned for summer 2015 - has now been confirmed for December 18th 2015.

It looks as though JJ Abrams and Lawrence Kasdan might now have their screenplay for Star Wars: Episode 7 in place though, as Hitfix is reporting - from multiple sources - that the film is set to start full production from May of this year. The shoot will then go through until September. Furthermore, "most principal casting on the film is complete, with many announcements still to come".

We'd imagine most of those Star Wars: Episode 7 announcements will be held back for the inevitable start of photography press announcement. But any substantive news in the meantime we'll pass your way.

Hitfix.

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6 Conspiracy Theories That Inspired Sci-Fi and Horror Movies

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The ListsRyan Lambie2/12/2014 at 8:04AM

From faked lunar landings to invisible WWII warships, here are six conspiracy theories and the sci-fi movies they inspired...

"Fluoridation is the most monstrously conceived and dangerous communist plot we have ever had to face," Sterling Hayden's General Jack D Ripper coldly announces in Stanley Kubrick's breathtakingly funny satire, Dr Strangelove.

Ripper's conspiracy theory, that the commies are secretly trying to compromise our "precious bodily fluids", becomes his harebrained reason for unleashing a missile strike on the USSR. And just as Ripper was inspired by this strange notion to trigger a nuclear apocalypse, so filmmakers have been inspired by conspiracy theories to make all kinds of science fiction and horror movies - some funny, some tense and absorbing, others terrifying.

Here, then, is a selection of six real-world conspiracy theories and the varied sci-fi movies and horror movies they inspired - and funnily enough, Stanley Kubrick even pops up in one of the more familiar entries...

1. The Philadelphia experiment

The conspiracy: The story goes that, during the chaos of World War II, a group of scientists working for the US navy were carrying out an experiment that could have altered the face of the battle completely: they were attempting to make a warship invisible. The warship in question was the USS Eldridge, docked in the Philadelphia Naval Yard, and the experiment supposedly took place in October 1943.

A scientist named Dr Franklin Reno was said to be the mind behind the project, having taken inspiration from Einstein's unified field theory - and according to the legend, it was a success. Not only was the ship rendered invisible, but in subsequent experiments, apparently teleported to another location 200 miles away and back again.

The experiment wasn't without its side-effects, however; sailors were said to have suffered from a range of ailments, including nausea, mental trauma, invisibility and spontaneous combustion. It's even said that some sailors were found partly embedded in the structure of the ship itself.

For its part, the US navy has always denied that the Philadelphia experiment ever took place, but this has merely added to the claims that the incident was covered up. Despite repeated counter-claims that the experiment is a mixture of hoax and misheard information (the navy really were looking at ways of making ships undetectable to magnetic torpedoes at the time, which could have somehow been misinterpreted as 'invisible'), the legend's endured, partly thanks to books like The Philadelphia Experiment: Project Invisibility. 

The obvious question, though, is if the US navy managed to make a ship invisibile so long ago, why hasn't this technology become widespread since? The supporters of the conspiracy would probably argue that the US navy uses invisibility all the time - we just can't see the evidence.

The movies:"The experiment that should never have happened 41 years ago is still going on," read the tagline to The Philadelphia Experiment, which took the legend and turned it into a time-travel adventure-romance. Michael Pare and Bobby Di Cicco play two sailors aboard the USS Eldridge who find themselves thrown 40 years into the future by the experiment, and then have to figure out a means of closing off a rift in time and space that could destroy the entire planet.

Although not a big hit at the time of release, The Philadelphia Experiment is almost as persistent as the legend behind it: a belated sequel materialised in 1993, while a made-for-TV remake appeared on the Syfy Channel in 2012. The Philadelphia Experiment is also a good example of how urban legends perpetuate themselves through storytelling.

In the late 1980s, a chap named Al Bielek happened to catch a showing of the 1984 Philadelphia Experiment movie on television, which he claimed dislodged repressed memories of his own involvement in the 1943 project. In later interviews, he not only stated that he'd been a sailor aboard the USS Eldritch, but also that he'd been sent forward in time to the year 1983. Mind you, Bielek also claimed to have taken a time tunnel to Mars, conversed with aliens, travelled forward in time to the year 2137, and back to the year 100,000 BC. Bielek's claims then appeared to inspire the makers of the film 100,000 BC, a straight-to-video action film where members of the Philadelphia Experiment go back to the time of the dinosaurs.

Like a feedback loop, legends grow and change as they're told and retold. 

2. The Roswell incident

The conspiracy: On the 8th July 1947, the Roswell Daily Record ran a front page story which read, "RAAF captures flying saucer on ranch in Roswell region". The US military later retracted their initial statement, saying instead that the debris they'd collected was from a crashed weather balloon rather than a unidentified flying object, but it was too late - one of the most discussed and famous conspiracy theories was born.

Accusations that the American government had recovered a flying saucer - or at least parts of one - grew in the years that followed, and stories began to circulate that living occupants of the craft had been taken to Area 51 (a now infamous military base) in New Mexico. By the 1990s, a range of books, eye-witness accounts, TV documentaries and even purported footage of alien autopsies had all materialised, all appearing to lend weight to the theory that the US government was hiding knowledge of flying saucers and visitors from outer space. 

The movies: Steven Spielberg's Close Encounters Of The Third Kind (1977) remains one of the most lavish and well-made films to deal with the UFO phenomenon, taking in sightings of lights in the sky, abduction by aliens, and also the topic of a conspiracy on the part of the US government. Close Encounters' conclusion even suggests that America's scientists have engaged in some kind of foreign exchange program with visiting aliens, as Richard Dreyfuss' blue-collar hero clambers into a cathedral-like ship for a ride into the unknown.

The 1986 adventure film Flight Of The Navigator may also have taken a hint of inspiration from the Roswell incident and other stories like it, as a young boy takes a ride in a crashed, metallic UFO secretly held by NASA. Vaguely echoing what theorists argue happened in 1943, Flight Of The Navigator's scientists had whisked the ship from public view and attempted to cover up the craft's true nature by describing it to the police as an experimental space laboratory.

Interest in the Roswell incident began to rise again in the 1990s, possibly due to the publication of several books which brought forth new claims of downed saucers and conspiracies. One of these would become Roswell, a 1994 TV movie starring Kyle MacLachlan  as a US major attempting to uncover the hidden truth about the crash. The quest for uncovering buried truths also provided the basis for The X-Files, Chris Carter's TV series that received a movie spin-off (itself about aliens and government cover-ups) in 1998.

Roland Emmerich's Independence Day (1996) made explicit use of Roswell lore; amid the destruction of an alien invasion, it's eventually revealed to Bill Pullman's President Whitmore that the military really had captured an alien space craft and three occupants in 1947, and that they'd been stored and studied for the past 49 years at Area 51. The repaired space craft then came in handy for the third act, where it was used to plant a computer virus in the invaders' mother ship - a plot point that's still derided by some movie geeks 18 years later.

About 12 months before Independence Day came out, a piece of black-and-white footage purportedly shot at Area 51 first appeared on television. Appearing to depict the autopsy of a humanoid creature, the 17-minute film caused an immediate fuss in the media, despite widespread suspicions that it was a hoax.

The chap who first brought the film to the public's attention, a British entrepreneur named Ray Santilli, later admitted that the footage had been faked, but insisted that it was based on some real film he'd seen a few years earlier - when the film degraded past the point where it was watchable, Santilli said he'd funded a reconstruction of what he'd previously witnessed. The whole curious incident became the basis of the 2006 comedy Alien Autopsy, starring British TV entertainment duo Ant and Dec.

If you want an example of how one single event can inspire a range of stories, look no further than the Roswell incident.

3. Men in Black

The conspiracy: Sinister figures with connections to UFO conspiracy theories, the Men in Black are said to turn up in the wake of UFO sightings, and have done so since the 1950s.

Wearing dark suits and occasionally driving black Cadillacs according to some accounts, the MiBs are often described as anonymous government agents bent on silencing the witnesses of UFO-related events. People who've encountered MiBs have also described them as threatening and somehow strange; some have even suggested that the MiBs might be aliens or maybe robots.

The modern MiB phenomenon is thought to have originated in a 1956 book called They Knew Too Much About Flying Saucers, written by Gary Barker. That book has widely fallen from public consciousness, and those close to the author have said that Barker didn't take UFOlogy at all seriously - he simply wrote about a popular subject to make money. Whether Barker seriously believed in the Men in Black or not, he'd inadvertently created a familiar staple of modern pop culture.

The movies: Although the most obvious inspiration taken from the MiB legend is undoubtedly the 1997 film Men In Black, adapted from a comic book series and spawning a successful franchise, these spooky characters have turned up regularly elsewhere both before and since. In John Sayles'Brother From Another Planet (1984) Sayles and David Strathairn play a pair of MiBs, who are in fact aliens on the hunt for Joe Morton's escaped extra-terrestrial slave.

The Men in Black were also a common sight in The X-Files, have been known to turn up in Doctor Who, while Hugo Weaving's Agent Smith and his cronies in The Matrix trilogy are clearly modelled on them, even if they aren't explicitly named as such.

The faintly terrifying figure in a black suit played by Frank Langella in Richard Kelly's 2009 thriller The Box is also clearly an MiB - he drives a black car, works for the US government, and certainly exudes some of the MiB's supernaturally intimidating presence.

4. Moon landings

The conspiracy: As well as representing one of the largest scientific undertakings in 20th century history, the Apollo missions of the 1960s were also a key part of the US-USSR Cold War battle for technological superiority.

This might explain why, shortly after Neil Armstrong first set foot on the Moon in 1969, some began to suggest that the landings were faked - after all, if America was in a race to get to the Moon first, wouldn't it be easier to fake the landings in a studio? Despite the repeated debunking of the various pieces of evidence put forward in favour of a conspiracy theory - the rippling flags, the perfect footprints, and so on - the suspicion that the events of the 20th July 1969 took place in a studio still persists in some quarters. 

The movies: One of the first lunar landing conspiracy books published was Bill Kaysing's We Never Went To The Moon (1974), which seemed to fit right in with the post-Watergate era's atmosphere of distrust and cynicism. The same could be said of writer and director Peter Hyams'Capricorn One (1978), a brilliantly taut thriller about a bogus mission to Mars and the government's murderous attempts to sweep the fakery under the carpet.

Hyams himself has little time for Moon landing conspiracy theorists ("It's absolutely absurd", he told us last year), but the way the movie keyed into the mood of the time made it an unexpected hit. Capricorn One may have inadvertently popularised the notion of a faked space mission, too, which continues to linger and, if anything, grow more elaborate.

One theory is that Stanley Kubrick had been contracted by NASA to help direct the faked lunar landing footage, having just directed the groundbreaking 2001: A Space Odyssey. The story then goes that Kubrick left hints of his involvement in his horror film The Shining - which is why little Danny Torrance is seen wandering around the Overlook Hotel in a knitted Apollo 11 jumper.

In 2002, French filmmaker William Karel made Dark Side Of The Moon, a mockumentary offering a tongue-in-cheek 'exposé' of how the US government and Kubrick had faked the landings. But the resulting film has been misread as a straight-faced exploration of the truth, and is even shared on YouTube as a serious piece of supporting evidence on occasion. The 2012 documentary Room 237, which explores the various interpretations surrounding The Shining, also contains theories over Kubrick's involvement in the landingsm and the clues buried in the film's symbolism.

Other lunar conspiracy-type films include Transformers: Dark Of The Moon (2011), which suggests that, although Neil Armstrong really did go to the Moon in 1969, it was to recover a crashed Autobot space craft (the Ark) rather than stick an American flag in the lunar surface. In the found-footage horror film Apollo 18 (also 2011), it's 'revealed' that astronauts of the Apollo 18 mission - officially said to have been cancelled in the early 1970s - really did go to the Moon, and were terrorised by horrible extra-terrestrial creatures.

Whether astronauts stay in a warm studio on Earth or head into the chilly vacuum outside our planet, space travel in the movies is fraught with intrigue and danger.

5. The Dyatlov Pass incident

The conspiracy: One of the less widely-known stories on this list, the Dyatlov Pass incident took place in the Ural mountains in February 1959. The deaths of nine otherwise healthy people on a ski trek in the snowy wastes of Russia became a commonly-explored topic in Russia, particularly because of its more inexplicable details: investigation revealed that the trekkers' tent had apparently been ripped open from the inside, while strange wounds were found on the bodies of the victims.

The incident's records were kept locked away until 1990, when the story began to spread more widely. There were suggestions that the trekkers may have stumbled on some form of secret Soviet weapon experiment, and that some of the bodies were found to be highly radioactive. It's a strange and tragic story, and as is often the case with these kinds of mysteries, it's the lack of a definitive account of what happened that makes it the subject of so much speculation.

The movies: Various books and documentaries have explored the facts of the Dyatlov Pass case, but the first (and so far as we're aware only) feature film to be inspired by its events was 2013's Devil's Pass (also known as The Dyatlov Pass Incident). Directed by Rennie Harlin, it's a found footage horror about a second group of students who, years later, venture to the scene of the tragedy to find out what happened. In the course of making the film, Harlin delved into archives kept in Moscow and maintained that:

"There was a military experiment that went wrong, and the government there has spent years doing what they can to keep it from being discovered. It’s really the only logical explanation I’ve got."

It's fair to say, however, that Harlin's film is a rather outlandish interpretation of what might have occurred back in the 1950s - there's a yeti sighting, and even a reference or two to the weird events of the Philadelphia Experiment to look out for.

6. Project MKUltra

The conspiracy: MKUltra differs from the other theories on this list, in that it's a confirmed, very real and highly disturbing conspiracy rather than one based on urban legends or bits of half-truth. In the 1950s, the CIA began to conduct secret research into mind control, and how the use of drugs (such as LSD), sensory deprivation and other extreme physical experiences could affect the human brain - in many cases without the test subjects' knowledge or consent.

The scale and scope of MKUltra is far too broad and grim to describe in detail here - it's merely sufficient to say that, although many files pertaining to MKUltra were destroyed, the declassification of 20,000 documents in the late 70s meant that the breadth of what went on between 1953 and 1973 is now officially acknowledged. 

The movies: Adrian Lyne's unforgettable 1990 psychological horror Jacob's Ladder (1990) dealt briefly with the topic of using hallucinogenic drugs on unwitting victims (though not in connection with MKUltra), while The Men Who Stare At Goats (loosely based on the book of the same name by Jon Ronson) brushes on a similarly dark subject.

As far as we're aware, though, Blair Erickson's indie horror Banshee Chapter(2013) is the first film of its type to directly reference MKUltra, and it's an effective, if very strange genre movie (you can read our review here). Blurring the lines between the CIA's real-world experiments and a plot that openly references HP Lovecraft's short story From Beyond, Banshee Chapter sees a journalist (Katia Winter) investigate the disappearance of her friend and the origins of a hallucinogenic drug he took moments before he went missing.

What the reporter find involves a gonzo counter-culture writer (brilliantly played by Ted Levine) and a growing realisation that there may be a supernatural edge to the conspiracy. Like many of the mysteries touched on in this piece, Banshee Chapter is maddeningly light on closure, but it's the film's mysterious, unexplainable nature that also makes it so memorably scary.

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Cool article. Project MKUltra was also referenced in the 2009 film The Killing Room. It's an entertaining film.

New trailer for Transcendence, starring Johnny Depp

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TrailerSimon Brew2/12/2014 at 8:26AM

Transcendence, the upcoming sci-fi movie starring Johnny Depp, finally has its first trailer!

Towards the end of last year, we called Transcendence as one of the films we're most excited to see in 2014...and nothing we've seen so far has put us off the movie. It marks the directorial debut of Wally Pfister, Christopher Nolan's long-time director of photography. And Transcendence stars Johnny Depp, Rebecca Hall and Paul Bettany.

Set for release in April, a second full trailer for the movie has now landed as well, which gives a closer look as to what we can expect. Take a look at this and see what you reckon...

Like us on Facebook and follow us on Twitter for all news updates related to the world of geek. And Google+, if that's your thing!

RED and R.I.P.D. director hired for Divergent sequel

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NewsSimon Brew2/12/2014 at 8:30AM

Robert Schentke is taking over from Neil Burger, and will direct the Divergent follow-up Insurgent...

Arriving in cinemas next month is Divergent, the first in a planned trilogy of films based around the books by Veronica Roth. Shailene Woodley takes the lead in the film, with Limitless helmer Neil Burger directing. But it's been known for some time that Burger wouldn't be returning to do the next film.

And now we know who is. Robert Schwentke has been hired by Summit Entertainment to direct the next chapter in the saga, Insurgent. Most recently, he was responsible for R.I.P.D., which it's fair to say wasn't one of 2013's finest movies. Prior to that, he's helmed the first RED movie, Flightplan and The Time Traveler's Wife.

On paper, he seems a weaker choice than Burger, but get the right material to the right person, and good films tend to pop out the other end. That might just be the case here.

The film already has a release date of March 20th 2015, so he'd better get cracking...

Source.

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