RiffTrax: A Guide to Holiday Riffing

On Thursday, December 4th, the guys at RiffTrax are at it again when RiffTrax Live features the schlock classic Santa Claus. No, not that mid-80s flick with John Lithgow and Dudley Moore that explored Jolly Saint Nick’s origins. Rather, it’s a ridiculous 1950s movie from Mexico where Santa lives in space, has Merlin the Magician at his side, and has to fight actual demons. It’s completely insane and if you’re enough of a Mystery Science Theater 3000 fan, you’ve likely already seen it at least twice. Not only will they have a new slate of jokes, but they’ll be playing the entire movie instead of having to cut out bits to make room for commercial time.

Since its inception, RiffTrax has regularly visited the crazy world of Christmas movies and shorts because when you get down to it, Christmas is a crazy time and Santa’s such a rich concept that it’s easy to go completely off the rails with him. Here’s a look at all the various Christmas-related movies they’ve watched. Luckily, all of them are available on-demand, so you can buy them and download the entire movie with the audio already synced up.

A handful of the shorts were featured in previous editions of RiffTrax Live, but are also available on their own (with the exceptions of The Shanty Where Santy Claus Lives and Santa Claus and the Fairy Snow Queen, at least of this writing). They did an entire RiffTrax Live show called Christmas Shorts-stravaganza, which not only featured a bunch of Christmas-based short films, but also a film about serving pork and some kind of competitive swimming event. Weird Al was there too! At the show...not...not the swimming event.

Like when I discussed the 25 Most Insane RiffTrax Shorts, I’m going to give both the lucid explanation of what each short or movie is supposed to be in a sane, reasonable world and what we actually get.

Click the titles to get 'em from RiffTrax!

“Now, come on. Let me show you the rest.”
“No, really, I have to go, I...”

NESTOR THE LONG-EARED CHRISTMAS DONKEY (1977)

The Idea: Remember how great the Rankin/Bass stop-motion version of Rudolph the Red-Nosed Reindeer was? It was such a classic that people watch every year as a holiday tradition. Expanding on that world, the same company released Nestor the Long-Eared Christmas Donkey, figuring they’d spin another classic out of a more religious context. In it, Nestor undergoes some hardships due to the massive size of his ears, but is chosen to help Joseph and the pregnant Mary make it to Bethlehem.

The Output: You remember how Rudolphwent, right? He was teased for a bit for being different, but that led to him discovering loveable, memorable characters and getting into fantastic adventures before proving his worth and showing that his so-called deformity was really his greatest strength. Okay, now imagine that exact story, only remove the loveable, memorable characters. Then take that part of the movie where he’s teased and stretch it so it makes up 95% of the story. Hell, just make the thing completely depressing. There. You have Nestor the Long-Eared Christmas Donkey.

This is an earlier RiffTrax release, so the only one on it is Mike. Hearing one riffer can be a little off-putting, but it’s worth it to see such a terrible rewrite of Rudolphwithout any of the magic. Oh, and spoilers for a 37-year-old holiday special, but Nestor ends up becoming best buddies with the man who killed his mother and it’s never explained because it’s at the very end of the movie. I guess Jesus being born really packed a punch.

“Introducing Chewbacca’s family!”
“And many scream-yourself-awake nightmares!”

STAR WARS HOLIDAY SPECIAL (1978)

The Idea: In a time when Empire Strikes Back is far from release but the studios want to keep Star Warsin the public’s mind so they’ll keep buying their merchandise, it was decided to bring the cast in for a prime-time holiday special in the 70s. Based on Han Solo trying to get Chewbacca home to his family in time for Wookie Life Day, the special features everyone from Luke to Vader with special guest stars Art Carney and Bea Arthur. It also has an animated short that gives us the very first appearance of Boba Fett!

The Output: Whenever I try to explain the Star Wars Holiday Special to someone who has never seen it or even heard of it, I point out that George Lucas, known for being a pretty greedy guy, refused to make money off of it in any way. He would never release the Holiday Special in any format because he was that disgusted by it. I don’t blame him because if not for Mike, Kevin, and Bill, I would not have been able to sit through it myself.

Each segment appears to be more horrific than the last. We get huge stretches of time where Chewbacca’s family just kind of meanders around their household, growling at each other, with no subtitles. There are "comedy" and musical bits that are just a slog to sit through. One such bit appears to be Chewbacca’s father Itchy watching virtual reality porn. Not even kidding. Mark Hamill is covered in enough makeup to put the studio in the red from their cosmetics budget, Harrison Ford looks like he’d rather be doing anything else, Carrie Fisher is so drugged up, and Bea Arthur sings lyrics over the “Cantina Song.” It’s a glorious Hell.

As the cherry on top, the version they watch has all the 1970s commercials completely intact. One of which features Schneider from One Day at a Time!

“He always has loads of fun.”
“Why, here he is in Dallas in 1963!”

A VISIT TO SANTA (1963)

The Idea: A couple of kids send a letter to Santa, asking to visit him at the North Pole before Christmas. Santa decides it’s a good idea and has them picked up and brought over in a magic helicopter. He shows Dick and Ann around his home and talks for a moment about how he spreads yuletide cheer through Thanksgiving parades. Then they ride around on a rocket and look at Santa’s prized train set.

The Output: It’s summed up perfectly when Kevin notes, “Interesting. I didn’t know that David Lynch made a Christmas film.” The whole production is very creepy, reminiscent of Manos: Hands of Fate’s cinematography. With all the many Santas that the RiffTrax guys have seen over the years, this one is probably the least jolly. He comes off as a deranged murder suspect trying to lay low with a disguise. In fact, everything about this short is suspect, like the elves, who are really just little kids in miniskirts. Including boys.

Dick and Ann only have a few lines in the opening and thank God for that. We can understand maybe five percent of anything they have to say.

“Ah, good. Finally, on the silver screen, the be-top-hatted spider-dog of my nightmares. Unless...I’m just having another nightmare.”

CHRISTMAS TOYSHOP (1945)

The Idea: As two kids are put to bed on Christmas Eve, their father tries to set up the tree and all the gifts downstairs. He stumbles around and the ruckus makes them think – in their dreams – that Santa just fell down the chimney. Sharing the same dream, they go downstairs and greet Santa. The little girl asks about where the toys come from and Santa tells the story of a magical toy shop. From here, it becomes a cartoon about living toys having fun when the shop owner is gone.

The Output: The animated sequence is your usual old, black and white cartoon fare. A bunch of toys do stuff for several minutes, including a forgettable musical number, then a plot suddenly happens at the end. Here, it’s an evil spider showing up to try and kidnap a toy of Little Miss Muffet, causing the toy soldiers to come to her rescue. Somehow, the live-action segment is supposed to be a framing device and everything about the cartoon is being related by Santa. Why he’s telling them about a spider kidnapping a toy, I don’t know, but there you go.

This won’t be the last questionable piece of Santa Claus storytelling. We’ll get to that in a bit.

“Wow. I have literally never seen anything as small and of no account as this tree.”

CHRISTMAS RHAPSODY (1947)

The Idea: A lonely, tiny tree sits in the middle of the snowy forest, feeling itself worthless and meaningless. To its surprise, it’s taken in by a family and set up in their cabin. They decorate it for Christmas and give it the meaning it had been wanting for all this time.

The Output: You know, this one is almost decent, at least in concept. The basic Christmas moral buried in there is rather touching. Too bad the short has two things working against it. One, it’s really boring. Two, the tree is such a sad sack and won’t shut up about how much it sucks. It keeps explaining itself as being small and of no account, which will get your eyes rolling after the eighth time it repeats that.

There’s really nothing else to talk about here. Well, maybe the father’s creepy scalp.

“I need you tonight.”
“WHOA!”

RUDOLPH THE RED-NOSED REINDEER (1948)

The Idea: No, not the Rankin/Bass cartoon we all know and love. This animated short is a completely different adaptation of the Rudolph song, predating the stop-motion special by decades. Rudolph is still made fun of for his nose and Santa needs his help due to a foggy night, but don’t expect to see his elf dentist buddy or the abominable snowman.

The Output: Other than the missing characters (which isn’t a criticism, since this came first and those guys weren’t mentioned in the song), the biggest difference in this telling is Rudolph’s status. The Rankin/Bass version made sense in that Santa had a bunch of reindeer living at the North Pole, so of course Santa would come across Rudolph. Here, Rudolph lives in a reindeer civilization. According to this short, animals live like humans around the globe in different sectors (ie. a rabbit-only town) and the only known human being is Santa Claus.

Oh, man. Maybe this is a sequel to Peace on Earth. Pretend you know what I'm talking about.

Another high spot is Rudolph’s mother, who is for some reason shown completely dressed, walking on her hind legs, and having almost human proportions. The riffers all find themselves sexually confused by this.

“Watch this!”
“I saw Bam Margera do this on Jackass!”

A CHRISTMAS DREAM (1946)

The Idea: A little girl is happy to receive a few new toys on Christmas. So happy that she discards her older, rattier doll. As she goes to sleep that night, Santa decides to teach her a lesson about the value of one’s belongings by giving her a dream where her old doll comes to life to plead for her attention.

The Output: This is live-action and the doll is depicted with stop-motion animation. To this short’s credit, the animation is incredibly well-done, especially for such an old film. It’s also really horrifying and the riffers don’t stop harping on that. The little girl is so excited when any sane person would be in a fear coma.

Also, Santa can make you dream whatever he wants. I didn’t know that. That’s disturbing and a far bigger threat than getting coal in your stocking. All he needs are elves in the background, playing jump rope.

“One, two...you better not shout...Three, four...you better not cry...Five, six...you better not pout...Seven, eight...I’m telling you why...”

“Happy Christmas to all and to all a good night!”
“Well, Happy Christmas to the one household I visited! The rest of the planet can ram it for all I care!”

THE NIGHT BEFORE CHRISTMAS (1946)

The Idea: We all know the famous poem A Visit from St. Nicholas by Clement Clarke Moore. This is another adaptation of it, though without the bickering cartoon mice. Rather, we see Santa as he visits a home, delivers gifts, and flies off into the night.

The Output: This is probably the most reasonable of all the entries here because there isn’t much you can do to screw up that classic. The only questionable stuff is how rather than have any kind of special effects budget, shots of Santa flying off on his sleigh are done through animation and go back to live-action in close-ups. Otherwise, it’s fairly forgettable amongst the other freaky shorts and movies they watch.

Still, it is a dick move of Santa to give one kid a tiny toy shovel for Christmas. Who the hell would want that?

“Ladies and gentlemen, for the first time in 150-plus movies, RiffTrax has nothing to say.”“Just this...enjoy.”

SANTA AND THE ICE CREAM BUNNY (1972)

The Idea: Santa is stranded in the sands of Florida. His sleigh is partially buried in the sand and his reindeer have abandoned him. He calls over a group of children to help him get the sleigh out of the ground, but to no avail. Santa insists that they don’t give up and relates their situation to the story of Thumbelina. Luckily, the kids know one magical creature who just might be able to help Santa and make sure Christmas is saved.

The Output: God, where do I even start with this? It’s hard to sit through, but this is one of the most must-see riffs. The Ice Cream Bunny is practically a mascot for RiffTrax (sorry, Disembaudio). It’s bad in every way. It’s an inconceivable mess. The Santa parts are embarrassing to watch and make you feel really uneasy in its disturbing, low-rent cheesiness. Then you’re rescued from it thanks to Santa telling the story of Thumbelina. By that I mean that they play a completely separate movie with a higher budget that has absolutely nothing to do with the Santa situation. This “flashback” is 50 minutes long and the entire movie is an hour and a half, so yeah. The Thumbelina stuff is also creepy to watch, if not boring at times, but it’s worth powering through.

Once we return to Santa, we’re finally introduced to the Ice Cream Bunny. Words cannot do this justice. It’s a guy in a terrible rabbit suit driving a fire truck filled with kids when the guy most certainly can’t see what he’s doing and almost runs over a dog. There’s this really unsavory feeling watching what’s supposed to be a delightful movie for children and Bill kills it by adding a horrifying, demented laugh whenever the Ice Cream Bunny is on screen.

“The sequel to The Ice Cream Bunny’s Amos and Andy!”

SANTA CLAUS’ PUNCH AND JUDY (1948)

The Idea: Santa visits a large group of children (orphans?) and delivers their presents, but one of them asks for a Punch and Judy puppet show. Santa uses his magic to summon such a performance to the delight of the children.

The Output: Have you ever watched a Punch and Judy show? Yeah, nobody goes out of their way to see one. There’s nothing all that wrong with the kids, Santa, or the setup in this short. The focus is just on what I imagine to be a skilled exhibition of puppeteering that hasn’t aged well. Just a puppet beating his girlfriend with a stick, as well as various animals, and we get a break where two minstrel show puppets have a boxing match. So yeah, fun for children.

“He’s like some horrible Soviet Bloc animated version of Santa.”“His nose looks like an infected thumb!”

THE SHANTY WHERE SANTY CLAUS LIVES(1933)

The Idea: A poor little boy live alone and in the cold, doomed to freeze on Christmas Eve. Luckily, he’s discovered by Santa, who takes him away to his own home, where the kid sees all sorts of wonders.

The Output: First thing’s first, the Santa Claus in this movie is rather horrific, probably the scariest of all the Santas in all of these movies, which is impressive for a cartoon. Despite being the title character, he only gets about a minute of screen time anyway. The rest is either the kid being depressed and cold or the kid watching yet another old-timey cartoon scenario where the toys just kind of do stuff and sing for several minutes until something resembling a plot happens at the end. In this case, the tree accidentally catches on fire and the boy has to help put it out.

The most striking thing about this short is the never-ending parade of racism. Lot of uncomfortable toys lounging in the shanty where Santy Claus lives.

“Ooooooh, I’m full grown, all right!”
“Kids, if you ever hear someone say that in that voice, call the cops.”

MAGIC CHRISTMAS TREE (1964)

The Idea: A child befriends a witch around Halloween and is given a seed that will eventually sprout a magical Christmas tree. Not only does it talk, but it will also grant him three wishes! Unfortunately, the power goes to the boy’s head and his poor decisions put Christmas in some serious danger.

The Output: While it may not be the absolute best RiffTrax, it’s the best kind of bad movie for them to tackle. The movie is incredibly strange, but it gradually builds on it. In the beginning, it’s almost straightforward, but it gets more and more questionable as the minutes pass. For instance, there’s a scene where the main character’s family leaves to go Christmas shopping on Christmas Eve. The boy makes a wish to have ultimate power for a limited time (why a limited time? I don’t know) and uses his power to make it day and then goes around messing with people who are doing their usual daily routines, not at all aware that it’s supposed to be the night before Christmas.

By the end, we have a greed-loving giant living in the mountains showing up out of nowhere. What Christmas movie isn’t complete without a greed-loving giant living in the mountains showing up out of nowhere?

“And in the second place, ice cream break was over more than an hour ago!”
“Ah, kids love it when furries have labor disputes.”

SANTA’S ENCHANTED VILLAGE (1964)

The Idea: As a sequel/extension of the Mexican Santa Claus movie (which, again, will be featured at RiffTrax Live on December 4th!), we see a village where Santa’s various helpers get toys ready for the holiday season. Unfortunately, Stinky the Skunk would rather take extremely long breaks, much to the chagrin of his supervisor, the Ferocious Wolf.

The Output: By “sequel” I mainly mean that the guy who made this had the rights to the Santa Clausmovie and would occasionally toss in clips from it. The original footage in this short (and the two that follow) are incredibly low-rent, mainly in the form of the mascot costume characters and their terrible voices. Most notable is how the Ferocious Wolf is accompanied by loud, obnoxious accordion noises whenever he walks around. Which is a lot.

One of the true highlights is when the Ferocious Wolf visits Santa’s office and rants about how Stinky the Skunk is such a bad employee. Santa’s reaction is to just sit there the entire time, nodding and laughing his ass off like a lunatic. Which reminds me, the Ferocious Wolf complaining about his ulcer is – I kid you not – his catchphrase.

“Hey! Right here at this moment, this officially became the craziest thing ever made by man.”“Seriously, Merry Christmas, everyone. Merry Christmas.”

SANTA CLAUS AND HIS HELPERS (1964)

The Idea: The Ferocious Wolf, Stinky the Skunk, and Puss’n Boots get in a big argument and Santa is none too pleased. Watching from space along with his good friend Merlin, Santa decides to go give his angry employees a visit and set them straight.

The Output: This installment of the Santa’s Village of Madness Trilogy is easily the least coherent. Seeing the costumed characters is complete bedlam and even the riffers give up in awe of the chaos. Not only is half of the footage of this short taken directly from Santa Claus, but a couple minutes are taken from Santa’s Enchanted Village! But hey, no angry accordion music this time, so that’s something.

“Whoa! He’s got a face like a squid’s anus!”

SANTA’S MAGIC KINGDOM (1966)

The Idea: Puss’n Boots is the head of security in Santa’s Village and he confronts a visitor. It turns out to be a princess on the run from a giant ogre that’s out to destroy Santa Claus and end Christmas! Puss needs to gather an army together to face this beast and save Christmas.

The Output: So this giant ogre? They never actually show him. Well, except for a shot of a lame dinosaur statue that we see for a second. I don’t know if that’s actually supposed to be the ogre. Whatever. Otherwise, the narrative is just another fever dream filmed with the tiniest budget. Merlin ends up being the one to challenge the big monster and what a fight it is! I think. They never actually show any of it. We just hear them off-screen while everyone else reacts. The elves couldn’t even do that right.

“Ladies and gentlemen, a third-string ballerina on painkillers.”

SANTA CLAUS AND THE FAIRY SNOW QUEEN (1951)

The Idea: A six-inch tall woman called the Snow Queen visits Santa on Christmas Eve, but is annoyed to see him sleeping in her presence. As a joke, she gives life to a handful of nearby toys. The various toys dance and laugh, but are reluctant to be given off to children as lifeless gifts. Not only have they taken to being alive, but they’ve also grown attached to each other. Whatever will Santa and the Snow Queen do?

The Output: This whole thing is incomprehensible and it doesn’t help that the Snow Queen has a really thick European accent that you can barely cut through. The real star of this short is the Candy Lion. See, while you have understandable, recognizable toys hanging around like a toy soldier, a ballerina, a ragdoll, a Jack-in-the-box, and so on, you also have the Candy Lion. Described as a half-mummified Chewbacca, the dead-eyed toy stands around in the background for the most part and gets one memorable line when he excitedly brags to Santa, “I can eat candy!”

The Jack-in-the-box is easily one of the more annoying characters in RiffTrax history, though. Goddamn that repeating freak. This is all hosted by Snoopy, a high-pitched “brownie” (which appears to be no different than an elf) who I’m not sure if I’m repulsed by or attracted to.

“My finger isn’t tired!”
“Oh, God! What is he about to do?!”

SANTA CLAUS CONQUERS THE MARTIANS (1964)

The Idea: On Mars, children have become joyless and robotic due to the planet’s lack of fun and insistence on constant studying and good behavior. The only thing that brings them any happiness is watching Earth programs, such as news on this Santa Claus character. Afraid for the future of his planet, Kimar and his crew visit Earth to kidnap Santa (and eventually two children) and bring him to Mars so that he can spread joy to their world...whether he wants to or not!

The Output: While this movie may be on the IMDB bottom 100, I consider it a guilty pleasure. As I discussed when speaking with Kevin Murphy a little while back, I think at its core, Santa Claus Conquers the Martians is a great concept for a children’s movie. It has its own unique whimsy. Unfortunately, it’s hurt by bad, hammy acting and the kind of bad costuming and effects you’d expect from a movie like this.

Santa Claus Conquers the Martians is the only movie to be featured on Mystery Science Theater 3000, Cinematic Titanic (the offshoot where the other MST3Kcast members went off to), and RiffTrax, all with their own  unique set of jokes. There’s a good reason for that. The movie is incredibly silly and ripe for mockery, yet at the same time completely and utterly watchable. Much like the upcoming Santa Clausedition of RiffTrax Live, this version features the movie in its entirety, rather than the abridged version of MST3K.

“Don’t you wish that your school bus looked like this?!”
“Packed with bearded lunatics and planked by grim clowns? No!”

FUN IN BALLOON LAND (1965)

The Idea: A little boy goes to sleep and dreams of a world of giant balloon people and other children to play with. After getting into a variety of adventures, he and a little girl watch a holiday parade filled with all sorts of balloon floats.

The Output: This 1960s nightmare is the perfect B-side to Santa and the Ice Cream Bunny. The first third of it is complete and utter nonsense. This little boy would just wander around a warehouse, stumble upon some kind of big balloon statue, someone would voice said statue by shouting from across the room off-screen, and then it would move on to a completely unrelated scene. There is a group of ballerinas who show up to dance for absolutely no reason. At one point the boy is inexplicably walking around in only a gold lamé diaper and Kevin wonders, “Is this movie even legal?” The boy proceeds to hit on mermaids and plays hide-and-seek with a lobster thing.

Then it becomes old footage of a holiday parade that lasts about a half hour and has more clowns and majorettes than I have ever seen in one place at one time. It’s pretty dry, but the woman narrating it is completely insane and the RiffTrax crew show absolutely no mercy in painting her as some kind of drunk lunatic. She ends the movie with a “guessing game” where she keeps changing the rules every three seconds and you don’t even know what the hell is going on.

If you sit through Fun in Balloon Landand there’s still enough sense in your head, make sure to remember to check out RiffTrax Live: Santa Claus on Thursday, December 4th. It’ll be a hoot.

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